Manuel Göttsching – Ash Ra Tempel VI: Inventions For Electric Guitar
Label: |
Kosmische Musik – KM 58.015 |
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Format: |
Vinyl
, LP, Quadraphonic, Album
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Country: |
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Released: |
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Genre: |
Rock |
Style: |
Berlin-School |
Tracklist
A1 | Echo Waves | 17:45 | |
A2 | Quasarsphere | 6:34 | |
B | Pluralis | 21:36 |
Companies, etc.
- Made By – Metronome Records GmbH
- Recorded At – Studio Roma
- Mixed At – Dierks Studios
- Lacquer Cut At – SST Brüggemann GmbH
- Distributed By – Metronome Records GmbH
- Pressed By – Phonodisc GmbH
Credits
- Arranged By, Composed By, Producer – Manuel Göttsching
- Design – Peter Geitner
- Guitar, Effects, Recorded By, Liner Notes – Manuel Göttsching
- Lacquer Cut By – SST (8)
- Mixed By [Quadro-mixing] – Manuel Göttsching
- Photography By – George Bockemühl
Notes
Recorded July-August 74 in Studio Roma (Berlin). Quadro-Mixing at Dierks Studios (Cologne).
A Product of The Cosmic Couriers. Ohr Musik Produktion.
Made in .
P. 1975
[Additional runout information:]
Runouts are hand-etched except for the stamped trailing parts like '1 C' or '1 Λ 7'.
A Product of The Cosmic Couriers. Ohr Musik Produktion.
Made in .
P. 1975
[Additional runout information:]
Runouts are hand-etched except for the stamped trailing parts like '1 C' or '1 Λ 7'.
Barcode and Other Identifiers
- Rights Society: GEMA
- Matrix / Runout (Label side A): SQST-KM-58.015-A
- Matrix / Runout (Label side B): SQST-KM-58.015-B
- Matrix / Runout (Label side A, bracketed): 0664.729 S 1
- Matrix / Runout (Label side B, bracketed): 0664.729 S 2
- Matrix / Runout (Runout side A - variant 1): KM 58.015 (0664.729 S.1) SST 1 C
- Matrix / Runout (Runout side B - variant 1): KM 58.015 (0664.729 S.2) SST 1 A
- Matrix / Runout (Runout side A - variant 2): KM 58.015 (0664.729 S.1) SST 1 C
- Matrix / Runout (Runout side B - variant 2): KM 58.015 (0664.729 S.2) SST 1 Λ 7
Other Versions (5 of 23)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Inventions For Electric Guitar (LP, Album, Quadraphonic) | Cosmic Music (2) | 840 066 | 1974 | |||
New Submission
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Inventions For Electric Guitar (LP, Quadraphonic, Test Pressing) | Barclay | 840 066-1 | 1975 | |||
Recently Edited
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Ash Ra Tempel 6 / Inventions For Electric Guitar (LP, Quadraphonic) | Kosmische Musik | Pld. SQ 6031 | Italy | 1975 | ||
Recently Edited
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Inventions For Electric Guitar (LP, Album, Reissue) | Pop Import | KM 58.015 | 1982 | |||
Recently Edited
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Inventions For Electric Guitar (LP, Album, Reissue) | Kosmische Musik | KK 58015, KM 58.015 | 1983 |
Recommendations
Reviews
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Im sure at some point in the 1970s David Gilmour must have heard this release and realized wow what a great technique let me explore that and then.....well The Wall and Gilmours famous echoed stratocaster ala Run Like Hell! A genius of an album by maestro Gottsching.
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Edited 8 years agoThis is essentially a Manuel Gottsching solo album as he really gets help from no one else, but this was also billed as an Ash Ra Tempel album. Perhaps he wasn't sure if he could still legally use the Ash Ra Tempel name or not. This is truly the ultimate solo album, as it's all done by multi-tracked delayed guitar with absolutely no outside help. I have wondered if Steve Hillage got a hold of this album, since he used that very same approach on his 1978 album Green on "Ether Ships". It also happened that Nick Mason from Pink Floyd produced that album, so that same guitar effect was used on The Wall like on "Another Brick in the Will Part 1" and "Run Like Hell". Ozric Tentacles later used the effect occasionally, like on "Dissolution" from Pungent Effugent and on several of their early cassette releases like on Tantric Obstacles. But you go all the way to Inventions for Electric Guitar where that Pink Floyd's The Wall guitar effect had its origins. What you get here is Berlin School electronic music, all done exclusively on guitar, but you might think synthesizers were actually being used but not one synth or any other instrument. "Echo Waves" is that perfect example of that Pink Floyd and Steve Hillage guitar effect, really high paced rhythms, to think this was not done by synths and sequencers is truly amazing. It can be done other ways! That effect was caused by tape delay. "Quasarsphere" is an ambient piece, reminds me of the ambient parts of "Traummaschine" from Ash Ra Tempel's debut, as well as a lot of Klaus Schulze's work. "Pluralis" is more of a mid tempo number. Parts of this sound like a Mellotron was used, but it seemed he was just doing tricks to make his guitar sound like one. Who could have imagined an album using exclusively guitar can end up like this? It's just simply amazing stuff, and obviously an album required in your collection.
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Edited 9 years agoI think this is the best work of Manuel IMO. True masterpiece. You can listen to this for months without listening to anything else (I just did).
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Release
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