Miles DavisMiles Davis At Fillmore

Label:

Columbia – G 30038

Format:

2 x Vinyl , LP, Album, Stereo , Terre Haute pressing

Country:

US

Released:

Genre:

Jazz

Style:

Experimental

Tracklist

A Wednesday Miles 24:00
B Thursday Miles 26:41
C Friday Miles 27:50
D Saturday Miles 22:21

Companies, etc.

  • Manufactured ByColumbia Records
  • Manufactured ByCBS Inc.
  • Pressed ByColumbia Records Pressing Plant, Terre Haute
  • Recorded AtFillmore East
  • Mastered AtCustomatrix

Credits

  • BassDave Holland
  • Cover [Design]Nick Fasciano
  • DrumsJack DeJohnette
  • Electric PianoChick Corea
  • EngineerStan Tonkel
  • Liner Notes [Inside Left]Morgan Ames
  • Liner Notes [Inside Right]Mort Goode
  • OrganKeith Jarrett
  • PercussionAirto Moreira
  • Photography By [Cover]Jim Marshall (3)
  • ProducerTeo Macero
  • Soprano SaxophoneSteve Grossman
  • TrumpetMiles Davis
  • Written-ByM. Davis*

Notes

Recorded live at the Fillmore East, N.Y.

Gatefold jacket

Barcode and Other Identifiers

  • Matrix / Runout (Sides A and B matrix): C 30241
  • Matrix / Runout (Sides C and D matrix): C 30242
  • Matrix / Runout (Side A matrix): AL 30241
  • Matrix / Runout (Side B matrix): BL 30241
  • Matrix / Runout (Side C matrix): AL 30242
  • Matrix / Runout (Side D matrix): BL 30242
  • Matrix / Runout (Side A runout stamped, variant 1): o P AL-30241-1A
  • Matrix / Runout (Side B runout stamped, variant 1): o P BL-30241-1A
  • Matrix / Runout (Side C runout stamped, variant 1): o P AL-30242-1A
  • Matrix / Runout (Side D runout stamped, variant 1): o P BL-30242-1A
  • Matrix / Runout (Side A runout stamped, variant 2): o P AL-30241-1A
  • Matrix / Runout (Side B runout stamped, variant 2): o P AL-30241-1D
  • Matrix / Runout (Side C runout stamped, variant 2): o P AL-30242-1A
  • Matrix / Runout (Side D runout stamped, variant 2): o P BL-30242-1A
  • Matrix / Runout (Side A runout stamped, variant 3): o P AL-30241-1C
  • Matrix / Runout (Side B runout stamped, variant 3): o P BL-30241-1D
  • Matrix / Runout (Side C runout stamped, variant 3): o P AL-30242-1E
  • Matrix / Runout (Side D runout stamped, variant 3): o P BL-30242-1A
  • Matrix / Runout (Side A runout stamped, variant 4): o P AL-30241-1B
  • Matrix / Runout (Side B runout stamped, variant 4): o P BL-30241-1B
  • Matrix / Runout (Side C runout stamped, variant 4): o P AL-30242-1E
  • Matrix / Runout (Side D runout stamped, variant 4): o P BL-30242-1B
  • Pressing Plant ID (Runouts, etched): /T
  • Rights Society: BMI

Other Versions (5 of 50)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Miles Davis At Fillmore (2×LP, Album, Gatefold) CBS SBP 473836 New Zealand 1970
Recently Edited
Miles Davis At Fillmore (2×LP, Album, Gatefold) CBS S 66257 UK 1970
Miles Davis At Fillmore (2×LP, Album, Gatefold) CBS S 66257 Europe 1970
Recently Edited
Miles Davis At Fillmore (2×LP, Album, Gatefold) CBS/Sony SONP 50356~57, SONP 50356~357, SONP 50356-57 Japan 1970
Recently Edited
Miles Davis At Fillmore (2×LP, Album, Gatefold) Stern Musik S 66 257 1970

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Reviews

  • kroffe606's avatar
    kroffe606
    My pressing is possible export version since all labels has Columbia logos covered by red CBS stickers and on the front cover upper left, a grey CBS sticker is covering the Columbia logo.
    • actionplan's avatar
      actionplan
      I’ve been listening to this amazing album for 50 years and there is nothing else quite like it in recorded history. Always exciting, never gets boring. Miles is on fire and the rest of the band are in a zone so in synch with Miles it’s beyond belief.
      • TimBucknall's avatar
        TimBucknall
        Edited 4 years ago
        UK 1970 press is rather muddy sounding.
        whats the consensus on best vinyl pressing?
        the compilations "The Horn 1956 -1983" & "Prince Of Darkness" both have individual tracks in excellent quality
        Is there a MDAF vinyl pressing that sounds that good or is this album best heard on CD? and yes, i still listen to this album even after the complete concerts were released, I value both as seperate listening experiences. I don't think of MDAF as just an inferior heavily cut down version of the concerts, more a reimagining with some inspired cut & paste by Teo Macero. I love the part of Wednesday Miles when the fragment of Bitches Brew inserted into Directions flips to manic thrashing.
        the CD is pretty cheap nowadays so pick it up and judge for yourselves.

        All these years later its still not common practise to treat a live recording in this manner, unless the project is explicitly paying homage to Miles, so perhaps it was a step too far for rock audiences as well as Jazz ones. So don't think of it as a live album, think of it as another Macero masterpiece of electronic composition that just happened to use live material as its source.
        I can't imagine how much effort it took to pull the material to pieces and rebuild it like this with the technology available in 1970. looping tiny fragments of accidental ambience is nothing these days but it was very different then and it deserves to be heard.
        Miles had already released 10 live albums in the 1960's and, by 1970, on a high from the experiments of Bitches Brew, I guess he felt it was time to try something new
        • GOODGROOVECIRCLE's avatar
          This is heavily edited as we all know, but it was issued as Bootleg No.3 in 2014 which is a must have!
          • Jordi420's avatar
            Jordi420
            Unfortunately my copy was missing LP2 and brought https://discogs.futbolgratis.org/John-McLaughlin-Featuring-Lifetime-In-Retrospect/release/2018021 LP2 instead... Bummer (though LP1 from this set is still awesome!)

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