Tracklist
Love In Traffic (Satoshi Tomiie Dark-Path) | 12:08 | ||
Love In Traffic (John Creamer + Stephane 'K' Remix) | 10:12 |
Credits (11)
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Nobuya UchidaA&R, Other [Assisted By]
- The Designers RepublicDesign, Photography [Deconstrure Made In The]
- Naweed*Lacquer Cut By
- Kelli AliLyrics By
- Ko KimuraLyrics By
- Satoshi TomiieLyrics By
Versions
Filter by
10 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Love In Traffic
12", 33 ⅓ RPM
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INCredible – 670932 6 | UK | 2001 | UK — 2001 | ||||
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Love In Traffic
12", Promo
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INCredible – XPR2712 | UK | 2001 | UK — 2001 |
Recently Edited
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Love In Traffic
12", 33 ⅓ RPM, Stereo
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Columbia – CAS 016618 | US | 2001 | US — 2001 |
Recently Edited
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Love In Traffic
CDr, Single, Promo
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INCredible – none | UK | 2001 | UK — 2001 | ||||
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Love In Traffic
12", Promo, White Label
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INCredible – XPR2712 | UK | 2001 | UK — 2001 |
New Submission
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Love In Traffic
CDr, Single, Promo
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INCredible – none | UK | 2001 | UK — 2001 |
New Submission
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Love In Traffic
CDr, Advance, Single, Promo
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SINE – none | 2001 | 2001 |
New Submission
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Love In Traffic
Acetate, 12", 33 ⅓ RPM
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Whitfield Street Recording Studios – none | UK | 2001 | UK — 2001 |
New Submission
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Love In Traffic
12", Unofficial Release
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Not On Label (Satoshi Tomiie) – LIT 001 | 2004 | 2004 | |||||
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Love in Traffic (Ruhe Remix)
File, MP3, 320 kbps
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Selador Recordings – 670932 | 2023 | 2023 |
New Submission
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Recommendations
Reviews
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referencing Love In Traffic (12", 33 ⅓ RPM) 670932 6
Hammered this when it first came out. It still thumps away making my head nod like chicken. Boss track . -
referencing Love In Traffic (12", 33 ⅓ RPM) 670932 6
11 years later since the last comment. Still cuts it. Hypnotic and a real builder. Bob would be proud. -
Edited 18 years ago
referencing Love In Traffic (12", 33 ⅓ RPM) 670932 6
Such a classic progressive house track. Arguably one of Satoshi's best works to date. My favorite on this release is his Dark Path Mix. Track starts out with a hard house type kick drum that remains long enough for you to comfortably mix into, then you're soon taken into a breakdown where the familiar nonsensical vocal is introduced. ....Out of nowhere the kick drums slams back in complimented by some really dark, nasty tribal drums that set the whole thing off very nicely. This is dancefloor tested, and approved. I recently played this during peak hour at a warehouse party and the crowd response was unbelievable.
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