Kendrick Lamar – Damn.
Label: |
Aftermath/Interscope Records – B0026745-01 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Conscious |
Tracklist
| A1 | Blood. | |
| A2 | Dna. | |
| A3 | Yah. | |
| A4 | Element. | |
| B1 | Feel. | |
| B2 | Loyalty. | |
| B3 | Pride. | |
| B4 | Humble. | |
| C1 | Lust. | |
| C2 | Love. | |
| C3 | XXX. | |
| D1 | Fear. | |
| D2 | God. | |
| D3 | Duckworth. |
Companies, etc.
- Manufactured By – Universal Music Distribution
- Distributed By – Universal Music Distribution
- Phonographic Copyright ℗ – Aftermath/Interscope Records
- Copyright © – Aftermath/Interscope Records
- Phonographic Copyright ℗ – Top Dawg Entertainment
- Copyright © – Top Dawg Entertainment
- Pressed By – GZ Media – 157776E
- Recorded At – Henson Recording Studios
- Recorded At – Jungle City Studios
- Recorded At – No Excuses Studios
- Recorded At – Windmark Studios (2)
- Mastered At – Bernie Grundman Mastering
Credits
- A&R [Interscope A&R] – Manny Smith (2)
- A&R [Interscope Records | Top's Homies] – Steve Berman (3)
- A&R [TDE] – Sounwave
- [Interscope Records | A&R] – Alicia Graham*
- Commissioned By [Interscope Records | Video Commissioner] – Mark Bridges (2)
- Coordinator [Interscope Records | A&R Coordinator] – Gabrielle Graham
- Creative Director – Vladimir Sepetov*
- Executive-Producer – Dr. Dre
- Lacquer Cut By – SS*
- Legal – Joshua P. Binder, Esq*
- Legal [Business ing] – Saj Motley
- Legal [Interscope Records | Business Affairs] – Todd Johnsen
- Management [Aftermath Entertainment | General Manager] – Ashley Palmer
- Management [General Manager] – Roberto "ret0ne" Reyes*
- Management [Interscope Records | International Marketing] – Jurgen Grebner
- Management [Interscope Records | Marketing] – Matt LaMotte
- Management [Interscope Records | Publicity] – Ray Alba
- Management [Interscope Records | Sales] – Gary Kelly (3)
- Management [MGMT Assistants] – Edgar Moreno
- Management [TDE] – ret0ne*
- Mastered By – Mike Bozzi
- Mixed By – Derek 'MixedByAli' Ali*
- Other [Styling] – Dianne Garcia
- Photography By – Roberto "ret0ne" Reyes*
- Producer [Associate Producer] – Dave "miyatola" Free*
- Product Manager [Interscope Records | Production] – Kam Sangha
- Recorded By – Matt Schaeffer
Notes
Gatefold sleeve
Barcode and Other Identifiers
- Barcode (Printed): 6 02557 61828 0
- Barcode (Scanned): 602557618280
- Matrix / Runout (Runout side A, etched, var. 1): B0026745-01A SS #22
- Matrix / Runout (Runout side A, stamped, var. 1): B00266745 -A 157776E1/A5
- Matrix / Runout (Runout side B, etched, var. 1): B0026745-01B SS #16
- Matrix / Runout (Runout side B, stamped, var. 1): B00266745 -C 157776E2/A
- Matrix / Runout (Runout side C, etched, var. 1): B0026745-01C SS #42
- Matrix / Runout (Runout side C, stamped, var. 1): B00266745 -C 157776E3/A3
- Matrix / Runout (Runout side D, etched, var. 1): B0026745-01D SS #25
- Matrix / Runout (Runout side D, stamped, var. 1): B00266745 -D 157776E4/A2
- Matrix / Runout (Runout side A, var. 2): B0026745-01A SS B0026745-A 157776E1/A4
- Matrix / Runout (Runout side B, var. 2): B0026745-01B SS B0026745-B 157776E2/A
- Matrix / Runout (Runout side C, var. 2): B0026745-01C SS B0026745-C 157776E3/A3
- Matrix / Runout (Runout side D, var. 2): B0026745-01D SS B0026745-D 157776E4/A1
- Matrix / Runout (Runout side A, var. 3): B0026745-01A SS A103 B0026745-A 157776E1/A13
- Matrix / Runout (Runout side B, var. 3): B0026745-01B SS B0026745-B 157776E2/A8
- Matrix / Runout (Runout side C, var. 3): B0026745-01C SS C112 B0026745-C 157776E3/A13
- Matrix / Runout (Runout side D, var. 3): B0026745-01D SS B0026745-D 157776E4/A
Other Versions (5 of 48)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Damn. (14×File, AAC, Album, 256 kbps) | Interscope Records | none | Worldwide | 2017 | ||
| Damn (CD, Album) | Interscope Records | B0026716-02 | US | 2017 | |||
|
New Submission
|
Damn (14×File, MP3, Album, 320 kbps) | Interscope Records | none | US | 2017 | ||
| Damn (CD, Album) | Interscope Records | 00602557611755 | Europe | 2017 | |||
| Damn (CD, Album) | Interscope Records | B002671602 | Australia | 2017 |
Recommendations
Reviews
-
I never understood the glowing reviews of To Pimp A Butterfly vinyl mastering (not the album - just referencing the sound quality of the vinyl). It sounded underwhelming and compressed.
However, this here is a different story. Very important album for me but was holding off thinking the mastering would be same as what’s on Spotify (similar to TPAB). Wow, I was wrong.
This record is dynamic, punchy, deep and wide. The bass sounds focused and deep whereas the bass on TBAP sounds boomy and a bit muddy. Vocals are clear and the sound design sounds amazing.
Records came a bit warped but otherwise it was noiseless. -
Hello, here is my video. You can check the audio quality of this recording to make sure it's good and the audio from the link in the description! https://youtu.be/2HtcOC7aUP4?si=EXzfSBC24xISq-uM -
The guy won the Pulitzer and it was VERY well deserved. Although I really don’t like LOVE.
-
Sounds OK. Gatefold is extremely tight and makes repackaging hard - art is beautiful -
THICK record, maybe even 200g? Sound is crisp and clean. If only every big label release had the same attention to detail! Hot take: Kendrick's best album ;) -
Everything about this release was done perfect. The alternate art on the back is a great touch, and the credits within the gatefold are done in such a unique way. The records themselves sound amazing, I've been playing them for years and it is one of the cleanest sounding albums in my collection! -
very noisy record, great record sounds good when not crackly, great dynamic range, but it just doesn’t seem to get clean, always noisy even after cleaned in pro record cleaning machine. -
very noisy record, great record sounds good when not crackly, great dynamic range, but it just doesn’t seem to get clean, always noisy even after cleaned in pro record cleaning machine.
-
Fantastic pressing, excellent soundstage/imaging, and pretty amazing clarity through low, mids, and trebles. I wish Kendrick Lamar's vocals were boosted in the final vinyl mix instead of the bass being so prominent, but I guess a good EQ might be able to balance things out. -
High quality record! One of the best sounding records I own.
Production is mindblowingly good, no surface noise/distortion
5 stars!
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