Arcade Fire – Funeral
Label: |
Rough Trade – RTRADLP219 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
A1 | Neighbourhood #1 (Tunnels) | |
A2 | Neighbourhood #2 (Laïka) | |
A3 | Une Année Sans Lumière | |
A4 | Neighbourhood #3 (Power Out) | |
A5 | Neighborhood #4 (7 Kettles) | |
B1 | Crown Of Love | |
B2 | Wake Up | |
B3 | Haïti | |
B4 | Rebellion (Lies) | |
B5 | In The Backseat |
Companies, etc.
- Recorded At – Hotel2Tango
- Mixed At – Hotel2Tango
- Mastered At – Disques SNB Ltée.
- Pressed By – GZ Media – 160794E
Credits
- Accordion – Régine Chassagne
- Acoustic Guitar – Win Butler
- Arranged By [Strings] – Sarah Neufeld
- Artwork [Cover Art] – Tracy Maurice
- Bass – Win Butler
- Cello – Michael Olsen*
- Double Bass – Régine Chassagne
- Drums – Régine Chassagne
- Drums [Percussion] – William Butler
- Electric Guitar – Howard Bilerman
- Guitar [Jaguar], Electric Guitar [12 String] – Win Butler
- Guitar [Rickenbacker], Organ – Richard Reed Parry
- Guitar [Telecaster] – Timothy Kingsbury
- Harp – Anita Fust
- Horn – Pietro Amato
- Lacquer Cut By – T.Debney*
- Mastered By – Ryan Morey
- Photography By, Artwork [Insert] – Hilary Treadwell
- Piano – Win Butler
- Producer – Arcade Fire
- Recorded By [Assistant], Engineer – Mark Lawson (2)
- Recorded By, Engineer – Richard Reed Parry
- Synthesizer – Win Butler
- Violin – Sarah Neufeld
- Vocals – Win Butler
- Xylophone – William Butler
Notes
Comes in gatefold sleeve.
Tracks are numbered sequentially on jacket and labels.
All runouts are a combination of stamped/etched.
Tracks are numbered sequentially on jacket and labels.
All runouts are a combination of stamped/etched.
Barcode and Other Identifiers
- Barcode (Text): 889854624217
- Barcode (Scanned): 889854624217
- Matrix / Runout (Side A Runout, variant 1): RTRAD LP 219 A 160794E1/A BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 1): RTRAD LP 219 B 160794E2/A BG27714-01 B₁ MPO
- Matrix / Runout (Side A Runout, variant 2): RTRAD LP 219 A 160794E1/AA BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 2): RTRAD LP 219 B 160794E2/A3 BG27714-01 B₁ MPO
- Matrix / Runout (Side A Runout, variant 3): RTRAD LP 219 A #23 160794E1/AA BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 3): RTRAD LP 219 B BG27714-01 B₁ 160794E2/A4 #29 MPO
- Matrix / Runout (Side A Runout, variant 4): RTRAD LP 219 A 160794E1/AA BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 4): RTRAD LP 219 B 160794E2 996013 BG27714-01 B₁ MPO
- Matrix / Runout (Side A Runout, variant 5): RTRAD LP 219 A 160794E1 BG27714-01 A₁ T.Debney MPO 1130092
- Matrix / Runout (Side B Runout, variant 5): RTRAD LP 219 B 160794E2 BG27714-01 B₁ MPO 1037078
- Matrix / Runout (Side A Runout, variant 6): RTRAD LP 219 A 160794E1/AA BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 6): RTRAD LP 219 B 160794E2/A2 BG27714 -01 B₁ MPO
- Matrix / Runout (Side A Runout, variant 7): RTRAD LP 219 A 62#160794E1/AA BG27714-01 A₁ T.Debney MPO
- Matrix / Runout (Side B Runout, variant 7): RTRAD LP 219 B 996013 13#160794E2 BG27714-01 B₁ MPO
Other Versions (5 of 35)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Funeral (CD, Album) | Merge Records | MRG 255 | USA & Canada | 2004 | |||
New Submission
|
Funeral (CDr, Album, Promo) | Rough Trade | RTRADCDP219 | UK | 2004 | ||
New Submission
|
Funeral (10×File, MP3, Album, 320kbps) | Merge Records | MRG255 | 2004 | |||
New Submission
|
Funeral (CD, Album) | Noiselab Records | MRG 255 | Mexico | 2004 | ||
New Submission
|
Funeral (CDr, Album, Promo) | Merge Records | MRG255 | US | 2004 |
Recommendations
-
-
-
-
-
2016 WorldwideLP, Album, Reissue, Remastered, Repress, Stereo
-
-
-
-
-
Reviews
-
Very good pressing (although there was a lot of static before cleaning). Not the most demonstrative mix with a fairly centered sound and few effects.
-
-
Really good in my opinion. Some are saying it is flat sounding, and I don't disagree. However, their Suburbs LP is similar in soundstage, and I think this is just how they want their LPs to sound. I'm not trying to be flippant when I say this, but turning the volume up louder than normal fixes the problem. My copy was also very quiet in the background
-
Edited 8 months agoSo here’s the deal. I was expecting this to be terrible reading the reviews. But honestly, my pressing is pretty quiet and almost perfect. As far as the mastering goes, this album was mixed and mastered with vocals in the background, instruments up front and very little soundstage. I would tend to think that that was the esthetic it was going for. Whatever format you listen to this album on, it cannot be changed unless this gets a remix. So is this a good pressing? Yes. Is this a good mix and master? It’s just how the album sounds so deal with it. Is this worth getting? Yes. And in my honest opinion, the record sounds better then on digital formats.
-
Music itself, the mastering, as good as this album is gonna sound. GZ pressing plant strikes again with bad QC. No fill, loud pops and clicks, noisy (after a vacuum clean). Playing on my Technics SL-D2, Pro-ject tube preamp, Phillips Fidelio headphones.
-
Love this. Great album. Quiet pressing. Good soundstage. Maybe not 5 stars of dynamic range, but 5 starts everywhere else. So 5 overall.
-
My pressing is fine. It is quiet and sounds decent. There is not a ton of dynamic range or separation, but it is acceptable for a $22 repress. Midrange reigns supreme, which sort of makes sense for the music, but I was hoping for more depth and color. The gatefold sleeve is fantastic. The unfinished rawness of the cardboard gives it a nice feel and texture. The pen lines on the artwork are done with a high gloss imprint. They dropped the ball on the inner sleeve though. There is no excuse to use a plain, white, paper sleeve these days. Especially when the overall packaging is so well done. Overall: Worth the price and will stay in my collection.
-
Bought this brand new on ebay. Sounds flawless. None of the negative stuff I'm seeing in the other comments has happened with my copy. Love this album and this band.
-
Honestly kinda bummed, I own a few albums from this time period and they sound light years better than Funeral. It's quite noisy with lots of cracks and popping. I brush cleaned it but maybe needs a solution clean. Either way kinda disappointed. I think the sound is decent overall but doesn't do justice to such an amazing album sonically. 3/5
-
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
105 copies from $21.84