WestBam – The Roof Is On Fire
Label: |
TSR Records – D2-75755 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Electro |
Tracklist
| 1 | The Roof Is On Fire | 3:54 | |
| 2 | Miami Bass | 4:06 | |
| 3 | Monkey Town | 3:52 | |
| 4 | ...And Party | 3:21 | |
| 5 | Alarm Clock | 3:45 | |
| 6 | Bring That Beat Back | 2:05 | |
| 7 | Hold Me Back | 3:29 | |
| 8 | The Wall | 4:12 | |
| 9 | Monkey Say - Monkey Do | 3:21 | |
| 10 | Cold Stomper | 3:21 | |
| 11 | Saxophone | 3:42 | |
| 12 | It's Over | 2:13 |
Companies, etc.
- Phonographic Copyright ℗ – TSR Records
- Copyright © – TSR Records
- Recorded At – Low Spirit Studios
- Distributed By – American Record Distribution, Inc.
Notes
℗ © 1991 TSR Records
All tracks recorded at Low Spirit Studios Berlin (West).
All tracks recorded at Low Spirit Studios Berlin (West).
Barcode and Other Identifiers
- Barcode: 015397575529
- Matrix / Runout (#1): CD75755
- Matrix / Runout (#2): W.O. 16886-1
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Roof Is On Fire (U.S. Remixes) (CD, Album) | Swanyard Discs Ltd. | SYD CD 2, SYDCD 2 | UK | 1991 | ||
|
Recently Edited
|
The Roof Is On Fire (U.S. Remixes) (LP) | Swanyard Discs Ltd. | SYD LP 2 | UK | 1991 | ||
| The Roof Is On Fire (LP, Promo) | TSR Records | D1-75755 | US | 1991 | |||
|
New Submission
|
The Roof Is On Fire (LP, Test Pressing) | TSR Records | D1-75755 | US | 1991 | ||
|
New Submission
|
The Roof Is On Fire (Cassette, Promo) | TSR Records | D4-75755 | US | 1991 |
Recommendations
Reviews
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-
Edited 18 years agoApart from "The Roof Is On Fire" and "Miami Bass" thumping bass-kicking tracks, the rest of the CD is plain boring, irritating and just not worth listening to. Why? There's very little production skills on this CD - many sounds and loops have been copied and sampled from other music. The only credit I give to Westbam on this CD is for being able to put together all these blips, sounds and at times odd monkey noises and parodies, but with great mixing skills. As for production talent, none is present here after the first two tracks, in my opinion. I am still at a loss to understand what made Westbam so popular in 1989-1992.
Release
See all versions
Recently Edited
Recently Edited
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