Tracklist
| A1 | Lolo (Intro) | 0:40 | |
| A2 | The Watcher | 3:28 | |
| A3 | Fuck You | 3:25 | |
| A4 | Still D.R.E. | 4:28 | |
| A5 | Big Ego's | 4:01 | |
| B1 | Xxplosive | 3:35 | |
| B2 | What's The Difference | 4:04 | |
| B3 | Bar One | 0:51 | |
| B4 | Light Speed | 2:30 | |
| B5 | Forgot About Dre | 3:54 | |
| B6 | The Next Episode | 2:42 | |
| C1 | Let's Get High | 2:27 | |
| C2 | Bitch Niggaz | 4:14 | |
| C3 | The Car Bomb | 1:01 | |
| C4 | Murder Ink | 2:28 | |
| C5 | Ed-Ucation | 1:32 | |
| C6 | Some L.A. Niggaz | 4:25 | |
| C7 | Pause 4 Porno | 1:33 | |
| D1 | Housewife | 4:03 | |
| D2 | Ackrite | 3:40 | |
| D3 | Bang Bang | 3:42 | |
| D4 | The Message | 5:11 |
Companies, etc.
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – UMG Recordings, Inc.
- Copyright © – UMG Recordings, Inc.
- Mixed At – Larrabee Sound Studios
- Mixed At – Larrabee North
- Mastered At – Bernie Grundman Mastering
- Mastered At – GZ Media – 191308E
- Pressed By – Precision Record Pressing – 10-86401
Credits
- A&R [A&R Direction] – Mike Lynn*
- Art Direction, Design – roquegraphics.com*
- Bass – Preston Crump (tracks: B6)
- Coordinator [Aftermath Project Coordinator] – Damon "Bing" Chatman
- Coordinator [Interscope Photo Shoot Coordinator] – Ekaterina Kenney
- Coordinator [Interscope Production Coordinator] – Andrew Van Meter
- Design Concept [Collage Concept] – Charis Henry
- Edited By [Album Editing] – Paul Foley
- Engineer – Richard "Segal" Huredia (tracks: A2 to B2, B4 to C2, C4, C6, D1 to D4)
- Engineer [Album & Mix Engineer] – Richard "Segal" Huredia
- Engineer [Assistant Engineer] – Tom Gordon (2) (tracks: B1, B5, B6, C4, D1)
- Executive-Producer – Dr. Dre
- Guitar – Sean Cruse (tracks: A3, B1, B4 to C1, C2, C6, D1, D3)
- Keyboards – Scott Storch (tracks: A2 to A5, C1, C2, C4)
- Mastered By – Brian "Big Bass" Gardner*
- Mixed By – Dr. Dre
- Percussion – Taku Hirano (tracks: A2, A3, B1, C2)
- Photography By – Stan Musilik
- Producer – Mel-Man (tracks: A1 to D3)
- Product Manager [Aftermath Product Manager] – Kirdis G. Tucker*
- Product Manager [Interscope Product Manager] – Michelle Thomas
- Production Manager – Larry Chatman
- Scratches – DJ Pen* (tracks: C2)
- Technician [Sound Check Provided By] – Kim Bullard (2)
Notes
The music is confirmed uncensored, and the back cover tracklist is no longer censored either.
C7 is titled "Pause For Porno" on label.
Mixed At: Larrabee Sound Recording Studios/Los Angeles
[A4] Mixed At: Larrabee North
Mastered At: Bernie Grundman's Mastering
Snoop Dogg records exclusively for and appears courtesy of Priority Records
Kurupt appears courtesy of Antra Music Group
Nate Dogg appears courtesy of Dogg Foundation Records
Knoc-Turn'al appears courtesy of L.A. Confidential Records
Devin the Dude appears courtesy of Rap-A-Lot Records
Mary J. Blige appears courtesy of MCA Records
Defari appears courtesy of Tommy Boy Records
Xzibit appears courtesy of Loud Records
Hittman appears courtesy of Aftermath Entertainment/Big Yacht Entertainment
An Aftermath Entertainment / Interscope Records release;
℗ 1999 © 2019 UMG Recordings, Inc.
Manufactured and distributed by Universal Music Enterprises, a division of UMG Recordings, Inc.
Made in the EU.
C7 is titled "Pause For Porno" on label.
Mixed At: Larrabee Sound Recording Studios/Los Angeles
[A4] Mixed At: Larrabee North
Mastered At: Bernie Grundman's Mastering
Snoop Dogg records exclusively for and appears courtesy of Priority Records
Kurupt appears courtesy of Antra Music Group
Nate Dogg appears courtesy of Dogg Foundation Records
Knoc-Turn'al appears courtesy of L.A. Confidential Records
Devin the Dude appears courtesy of Rap-A-Lot Records
Mary J. Blige appears courtesy of MCA Records
Defari appears courtesy of Tommy Boy Records
Xzibit appears courtesy of Loud Records
Hittman appears courtesy of Aftermath Entertainment/Big Yacht Entertainment
An Aftermath Entertainment / Interscope Records release;
℗ 1999 © 2019 UMG Recordings, Inc.
Manufactured and distributed by Universal Music Enterprises, a division of UMG Recordings, Inc.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 6 02577 65689 7
- Barcode (Scanned): 0602577656897
- Other (Labels, side A & B): 00602577656903
- Other (Labels, side C & D): 00602577656927
- Label Code: LC01846
- Rights Society: BIEM/SDRM
- Matrix / Runout (Label side A): LP01A
- Matrix / Runout (Label side B): LP01B
- Matrix / Runout (Label side C): LP02C
- Matrix / Runout (Label side D): LP02D
- Matrix / Runout (Runout side A, variant 1): B0030217-01-A 10-86401/B003021701-A 191308E1/A1 AI SIDE-A
- Matrix / Runout (Runout side B, variant 1): B0030217-01-B 10-86401/B003021701-B 191308E2/A3 AI SIDE-B
- Matrix / Runout (Runout side C, variant 1): B0030217-01-C 10-86401/B003021701-C 191308E3/AA1 AI SIDE-C
- Matrix / Runout (Runout side D, variant 1): B0030217-01-D 10-86401/B003021701-D 191308E4/A3 AI SIDE-D
- Matrix / Runout (Runout side A, variant 2): B0030217-01-A 10-86401/B003021701-A 191308E1/A4 AI SIDE-A
- Matrix / Runout (Runout side B, variant 2): B0030217-01-B 10-86401/B003021701-B 191308E2/A4 1002373 AI SIDE-B
- Matrix / Runout (Runout side C, variant 2): B0030217-01-C 10-86401/B003021701-C 191308E3/AA3 AI SIDE-C
- Matrix / Runout (Runout side D, variant 2): B0030217-01-D 10-86401/B003021701-D 191308E4/A5 AI SIDE-D
Other Versions (5 of 133)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
2001 (CD, Album, EMI MFG. Pressing) | Interscope Records | 069490486-2 | US | 1999 | ||
|
Recently Edited
|
2001 (2×LP, Album) | Interscope Records | 490 486-1 | Europe | 1999 | ||
|
Recently Edited
|
2001 (CD, Album, Enhanced) | Interscope Records | 490 823-2 | UK | 1999 | ||
| 2001 (CD, Album, Universal M & L, ) | Interscope Records | 490 486-2 | Europe | 1999 | |||
|
Recently Edited
|
2001 (CD, Album) | Interscope Records | 069490486-2 | Canada | 1999 |
Recommendations
Reviews
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I bought this and the vinyls and brown and purple/grey. The code on the sleeve brought me here, are they fake? -
What tha hell u talkin about....this album has bad mastering since its came out....it sounds as good as it can on this pressing...
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Anyone heard this version compared to the US 2019 one? This one sounds pretty good, but not as clean as I expected. Good amount of sibilance/distortion on the vocals. Debating whether to try and return this one for the US one.
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Edited 2 years agoI have to agree with Brian7411 very lackluster on a good system. Mids are covering the bass and sibilance on the voices… maybe MOFI one day…haha. My copy has the runouts for this European pressing, but a made in Canada sticker on the back. Does anyone happen to know what thats about? -
Played on a Planar P3 and I've to say it was a great experience. Very dynamic and rich sound. The pressing is great too; little to none distortion and static. -
Edited 2 years agoI've got to agree with the disappointed ones, sound quality is underwelming considering that this is one of the better sounding albums of all time. I wonder if people are not giving credit to the pressing, when they should simply give credit to Dr Dre for mixing this album so well.
As for this pressing, I first thought it was ok when playing it on my audio-technica turntable, but it sounds very lackluster since I've upgraded my system. A good soundsystem tends to be unforgiving with mediocre pressings, and it shows. The mids drown in the bass, the voices are close to sibilance. Maybe one day we will get the vinyl pressing that this album truly deserves.. -
This record is Perfect! Couldn’t have been done any better! So anyone giving negative reviews has a crappy system. Cuz this record Bangs! Quiet between tracks, solid Bass, crystal clear highs and mids too! If you’re considering buying this, don’t think twice, just get it! You will not regret it. It’s every bit as good as the best Chronic pressing. No doubt! -
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