Metallica – Death Magnetic
Label: |
Warner Bros. Records – 508732-1 |
---|---|
Series: |
Because Sound Matters |
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Heavy Metal |
Tracklist
A1 | That Was Just Your Life | 7:10 | |
A2 | The End Of The Line | 7:50 | |
A3 | Broken, Beat & Scarred | 6:25 | |
B1 | The Day That Never Comes | 7:55 | |
B2 | All Nightmare Long | 8:01 | |
C1 | Cyanide | 6:41 | |
C2 | The Unforgiven III | 7:47 | |
C3 | The Judas Kiss | 8:02 | |
D1 | Suicide & Redemption | 10:02 | |
D2 | My Apocalypse | 5:01 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – E/M Ventures
- Copyright © – E/M Ventures
- Published By – Creeping Death Music
- Recorded At – Sound City Studios
- Recorded At – Shangri-La, Malibu, CA
- Recorded At – HQ, San Rafael
- Mixed At – The Sound Factory
- Mixed At – Punkerpad West
- Mastered At – Record Technology Incorporated – 17790
- Pressed By – Rainbo Records – S-66870
- Pressed By – Rainbo Records – S-66871
- Pressed By – Rainbo Records – S-66872
- Pressed By – Rainbo Records – S-66873
- Lacquer Cut At – AcousTech Mastering
Credits
- Coordinator [Album Production Coordination] – Lindsay Chase
- Design [Album Design] – Turner Duckworth
- Edited By [Digital Editing Assisted By] – Sara Lyn Killion*
- Edited By [Digital Editing] – Kent Matcke
- Lacquer Cut By – KPG*
- Lyrics By – Hetfield*
- Management – Q Prime Inc.
- Mixed By – Andrew Scheps
- Performer – Robert Trujillo
- Photography By [Album - Baby] – Zoë Danton
- Photography By [Album] – Tom Schierlitz
- Photography By [Band] – Anton Corbijn
- Photography By [Cover] – Andy Grimshaw
- Producer – Rick Rubin
- Recorded By [Additional Recording] – Mike Gillies
- Recorded By, Mixed By – Greg Fidelman
- Written-By [All Songs] – Trujillo*
Notes
On inside cover:
[...]
All songs ©2008 Creeping Death Music (ASCAP)
Lyrics printed by permission.
All rights reserved.
[WB logo]
©℗2008 E/M Ventures. Made in U.S.A.
Runouts are etched.
Pressing plant and lacquer cut identified based on the ranout areas.
[...]
All songs ©2008 Creeping Death Music (ASCAP)
Lyrics printed by permission.
All rights reserved.
[WB logo]
©℗2008 E/M Ventures. Made in U.S.A.
Runouts are etched.
Pressing plant and lacquer cut identified based on the ranout areas.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-49835 5 2
- Barcode (Scanned): 093624983552
- Rights Society: ASCAP
- Matrix / Runout (Printed on label side A,B,C & D): 508732-1
- Matrix / Runout (Runout side A): 1-508732 - ARe S-66870 KPG@ATM 17790.1(3)
- Matrix / Runout (Runout side B): 1-508732 - BRe S-66871 KPG@ATM 17790.2(3)
- Matrix / Runout (Runout side C): 1-508732 - CRe S-66872 KPG@ATM 17790.3(3)
- Matrix / Runout (Runout side D): 1-508732 - DRe S-66873 KPG@ATM 17790.4(3)
Other Versions (5 of 134)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Death Magnetic (CD, Album, Limited Edition, Digipak) | Vertigo | 00602517737280 | Europe | 2008 | ||
Death Magnetic (CD, Album) | Warner Bros. Records | 508732-2 | US | 2008 | |||
Recently Edited
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Death Magnetic (CD, Album, Digipak) | Warner Bros. Records | 2-508732 | Canada | 2008 | ||
Recently Edited
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Death Magnetic (CD, Album) | Vertigo | 00602517810938, 00602517810938(86) | Poland | 2008 | ||
Recently Edited
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Death Magnetic (CD, Album, Stereo, Super Jewel Box) | Vertigo | 00602517737266 | Europe | 2008 |
Recommendations
Reviews
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Listening to this album on the first US vinyl pressing is a truly unique experience—yes, that categorically! It’s not that vinyl makes the sound "better" in the usual sense—just different. And in this case, closer to how it might (or might not) have been originally intended. Later reissues, including digital versions, were tweaked for vinyl and had their loudness "corrected," ultimately losing some authenticity and the spirit of the era.
CD vs. Vinyl:
Yes, the vinyl wins—but not by a landslide, as both formats suffer from a heavily compressed mix. The vinyl retains slightly more dynamics, especially in drums and bass, making it sound "livelier."
The CD, however, was pushed harder (+3.6 dB!), making digital distortion even more noticeable—at times, it sounds flat and "plastic." The vinyl was mastered separately, possibly with less "loudness war" aggression. Ted Jensen (the engineer) claims he received already distorted tracks—but who decided to crank the CD further remains a mystery. Maybe vinyl just couldn’t handle that level of abuse? -
Edited one year agoCan anyone confirm whether this original pressing actually sounds better (and not just louder) than the reissues/represses? They all seem to be pressed from the same stampers as far as the matrix runouts tell. Only difference would be whether Pallas or Rainbo pressed them from these plates ig?
Pallas being a reputable company, let's assume that they properly pressed these: shouldn't the sound be the same?
It's hard to find reasons to spend twice as much for the original pressing (of which up to 20.000 copies were made), from here -
Just found a nice clean copy of this release at a record show this weekend. Even after reading through the reviews of this release, I still bought it...and glad I did. I loved this album when it came out, and I'm loving this release. It sounds great on my set up.
ONLY complaints would be, the mix is a little quiet for my liking, especially for a Metallica album, but when I turn it up, it's well balanced and clear on each instrument and vocals. I do hear a few pops here and there during some of the softer/quieter moments of a few tracks, but when all four are playing, it easily overpowers any crackling that may be there. All in all, I'm really digging this pressing and don't agree with most of the complaints I'm reading here. Rock On 🤘🏻🤘🏻 -
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I found this album more exciting to listen to than master of puppets, which kinda bored me. um, do i get banned from discogs now?
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It’s crazy that even the first pressing can’t out perform the Guitar Hero version. Despite having flaws this pressing is easily the best compare to later pressings. The guitars are way more kind to your ears. Drums in my opinion are snappy but not piercing to later pressings. I believe they are using tapes instead of digital for that reason.
I really did enjoy the bass on the later pressings and this has the best bass. They really let Rob out of the cage and his bass work is phenomenal in this album.
The dynamic are gorgeous if I say so myself. Gives you less ear fatigue.
Any who. I love this pressing despite the flaws that just can’t be helped. This is the pressing to have. -
I've read about pressing issues , surface noise , and just general poor quality with this release , but other than the actual album being mastered poorly , my pressing is fine , minimal surface noise , perfect trackability , the album still sounds like crap , all versions do except the fan made guitar hero version , but if you need this for the collection , dont hesitate to pick up this original pressing , its not bad at all.
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Edited 6 years agoThis album sounds more like late era Slayer then Metallica. Maybe that was the point. I made sure I borrowed it at a library and copied it so Lars won't get a dime.
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Death Magnetic brings Metallica back to respectability IMO. Since the Load albums and the failed attempt with St. Anger, I kind of wrote them off. Lucky for me, several years after the release, I found a copy of the CD in my local library. Since it was free, I decided to give it chance. Having zero expectations for it, I was shocked how good it was. Back are the chunky driving guitar rhythms and more importantly are the crazy breaks that send the song in completely different direction. The production isn't as crisp as there classics but I think its give the album a more of a live feel.
I listened to DM for the first time in a while today and I decided, what the hell. Write my first review here on Discogs.
I am now, in first time in a long time, looking forward to Metallica's next release. -
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