Son Volt – Trace
Label: |
Warner Bros. Records – 9 46010-1 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Country Rock |
Tracklist
| A1 | Windfall | 2:58 | |
| A2 | Live Free | 3:14 | |
| A3 | Tear Stained Eye | 4:19 | |
| A4 | Route | 3:56 | |
| A5 | Ten Second News | 3:53 | |
| B1 | Drown | 3:18 | |
| B2 | Loose String | 3:45 | |
| B3 | Out Of The Picture | 3:47 | |
| B4 | Catching On | 3:59 | |
| B5 | Too Early | 4:21 | |
| B6 | Mystifies Me | 4:12 |
Companies, etc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – WEA International Inc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Recorded At – Salmagundi Studios
- Recorded At – Sixteenth Avenue Sound
- Recorded At – Emerald Sound Studios
- Mixed At – Emerald Sound Studios
- Mixed At – Drive-In Studio
- Mixed At – Salmagundi Studios
- Mastered At – Masterdisk
- Pressed By – Specialty Records Corporation
- Record Company – Warner Bros. Records Inc.
- Record Company – Time Warner
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Grain Elevator Music
- Published By – Ver Music
Credits
- Accordion – Dan Newton (tracks: B5)
- Art Direction, Design – Stress-lab
- Backing Vocals, Bass – Jim Boquist
- Bass – Marc Perlman (tracks: B6)
- Drums – Craig Krampf (tracks: A2)
- Drums [Drum Kit] – Mike Heidorn
- Engineer [Engineering Assistance] – Steve McKinstry
- Guitar, Fiddle, Banjo, Lap Steel Guitar, Dobro – Dave Boquist
- Management – Sharon Marsh (3)
- Mastered By – Howie Weinberg
- Mixed By – Peter Coleman (tracks: A1 to A3, B2 to B5)
- Pedal Steel Guitar – Eric Heywood
- Photography By – Jay Farrar
- Producer – Son Volt
- Vocals, Guitar – Jay Farrar
Notes
Specialty Records Corporation pressing denoted by "SRC" logo stamp in runouts. Runout are etched, for the "SRC" logo and "MASTERDISK" stamps.
Track listing on cover does not match actual running order.
First Cat# on label, second on cover.
Recorded at Salmagundi • Northfield MN November and December 1994
Additional recording at Sixteenth Avenue Sound • Nashville TN and at Emerald Sound Studios • Nashville
Mixed by Peter Coleman for Richard Dodd Productions at Emerald Sound Studios • Nashville TN
"Drown" • "Ten Second News" • "Route" Mixed by Brian Paulson at Drive-In Studio • Kennersville NC
"Mystifies Me" Mixed by Brian Paulson at Salmagundi • Northfield MN
Track listing on cover does not match actual running order.
First Cat# on label, second on cover.
Recorded at Salmagundi • Northfield MN November and December 1994
Additional recording at Sixteenth Avenue Sound • Nashville TN and at Emerald Sound Studios • Nashville
Mixed by Peter Coleman for Richard Dodd Productions at Emerald Sound Studios • Nashville TN
"Drown" • "Ten Second News" • "Route" Mixed by Brian Paulson at Drive-In Studio • Kennersville NC
"Mystifies Me" Mixed by Brian Paulson at Salmagundi • Northfield MN
Barcode and Other Identifiers
- Barcode (Text): 0 9362-46010-1 2
- Barcode (Scanned): 093624601012
- Rights Society (A1 to B5): BMI
- Rights Society (B6): ASCAP
- Pressing Plant ID (Stamped logo in runouts): SRC
- Matrix / Runout (Runout side A): SRC 1-46010-A-RE1 SR 1 1-1 MASTERDISK
- Matrix / Runout (Runout side B): SRC 1-46010-B-RE1-SR1 1-1 MASTERDISK
Other Versions (5 of 24)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Trace (CD, Album) | Warner Bros. Records | 9 46010-2 | US | 1995 | ||
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New Submission
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Trace (CD, Album) | Warner Bros. Records | CDW 46010 | Canada | 1995 | ||
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Recently Edited
|
Trace (CD, Album) | Warner Bros. Records | 9362-46010-2 | Europe | 1995 | ||
|
Recently Edited
|
Trace (Cassette, Album) | Warner Bros. Records | 4-46010, 9 46010-4 | US | 1995 | ||
|
Recently Edited
|
Trace (CD, Album, Club Edition, BMG Direct) | Warner Bros. Records | 9 46010-2 | US | 1995 |
Recommendations
Reviews
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WOW! Sell your reissue and snag this. The difference is quite significant. Full soundstage with a warmth and depth to the pedal steel guitars, and when they turn it up, the texture of the electric guitars will knock your socks off. Solid bass. Damn. -
The original Specialty Records pressing still is the benchmark when attempting to appreciatively take in this early,yet major achievement of a great songwriter in my most humble opinion.
The music and history has been proficiently expounded by my predecessors.So should this be indeed your cup of tea,this pressing is the finest and most exquisite chinaware to savor it from,if you will.
Definitely worth the effort,even at the hefty prices asked.
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The sound quality of this 1st press is so amazing I can’t put it to words! It has an amazing bottom end with excellent separation. A tubey soundstage that gives you that “band in the room” presence. Just brilliantly mastered. -
JAY RETURNS! WITH his introspective intelligent balladry we've come to expect/respect in tact. An almost even mixture of cow-punk ("Drown" and "Route" will bring you back to '91s STILL FEEL GONE) and mid-western workingman folk with sparse installments of pedal steel guitar and banjo throughout - this album is a perfect accompaniment to Uncle Tupelo's rootsy country swaggering swan song ANODYNE. Just hearing Jay's voice again comforts me to no end. Forget all the others in this now popular genre - this is the real thing...
The band is well rounded out with help from Mike Heidorn (first two UNCLE TUPELO albums) on drums and a host of others (including some Jayhawks). I really hate to say this but it is however true; together Jay & Jeff Tweedy (aka Wilco) had the best damn thing going in UNCLE TUPELO but as happens all to often, put two singer/songwriters together and they're bound to disagree and eventually break up leaving us with fragments of what was and what might have been. A great beginning and a clean slate for Jay Farrar. Cool name. Highly Recommended.
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