Tracklist
| 1 | Beginagain | 4:30 | |
| 2 | Sixes Last | 4:58 | |
| 3 | Again For The First Time | 3:54 | |
| 4 | Unseen Sights | 4:25 | |
| 5 | Shoes, Cars, And Soft Drinks | 3:21 | |
| 6 | Caged In, Wasting Away | 4:22 | |
| 7 | Full Circle Blues | 3:35 | |
| 8 | I Would Like To Write A Song That... | 4:12 | |
| 9 | Am I Cool Now? | 1:43 | |
| 10 | Chew The Fat | 4:05 | |
| 11 | The Physical Voice | 3:40 | |
| 12 | One Obvious Rule | 4:28 | |
| 13.1 | Lost Friend Advice | 4:49 | |
| 13.2 | (silence) | 8:54 | |
| 13.3 | Untitled | 3:26 |
Companies, etc.
- Distributed By – Revolver USA
- Mastered At – Megasonic
- Recorded At – Uphon-Tonstudio
- Pressed By – Reel Picture Productions – CR52005
Credits
- Art Direction – Roger Bacon (2)
- Executive-Producer – Baillie Parker
- Mastered By – J. Goody*
- Photography By [Household Photos] – Alias (3)
- Written-By, Producer, Mixed By, Arranged By – Alias (3)
Notes
Track 13 contains a hidden track (track 13.3). Track 13.1 lasts for 4:49 before a period of silence. Total duration of track 13 is 17:09.
All music written, produced, mixed and arranged @ the telegraph hitmaking closet except on unseen sights (track 4) recorded at Uphon-Studio/Weilheim and Physical Voice (track 11) recorded in pedestrian's bedroom, surrounded by school papers, some issues of the New York Times and all things brandon.
All music written, produced, mixed and arranged @ the telegraph hitmaking closet except on unseen sights (track 4) recorded at Uphon-Studio/Weilheim and Physical Voice (track 11) recorded in pedestrian's bedroom, surrounded by school papers, some issues of the New York Times and all things brandon.
Barcode and Other Identifiers
- Barcode (Text): 655035503622
- Matrix / Runout: RPP-CA CR52005 MUTED 01
- Mastering SID Code: IFPI LL26
Other Versions (4)
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Reviews
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Edited 18 years agoThis album will always be ed in my collection. Alias definitely has is own style for this instrumental album. He produced it so well, that every time I listen to this it always reminds me of rain! He often uses triplets in his drum patterns which always stands out and makes everything sound so much cooler. Most of the album is minimalistic instrumental hip-hop, but track 9, even tough it's a short one, is very well done. It's up tempo compared with the rest of the album and is filled with triplets. What makes a good CD is when 80% or more of the tracks are good ones, and this is one of those CD's.
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