The Moon (4)Without Earth

Label:

Imperial – LP-12381

Format:

Vinyl , LP, Album

Country:

US

Released:

Genre:

Pop

Style:

Psychedelic Rock

Tracklist

A1 Mothers And Fathers
Written-ByMatthew Moore
2:04
A2 Pleasure
Written-ByMatthew Moore
3:19
A3 I Should Be Dreaming
Written-ByMatthew Moore
2:34
A4 Brother Lou's Love Colony
Written-ByJack Dalton
4:59
A5 Got To Be On My Way
Written-ByMatthew Moore
2:01
A6 Someday Girl
Written-ByMatthew Moore
2:41
B1 Papers
Written-ByMatthew Moore
1:00
B2 Faces
Written-ByMatthew Moore
2:04
B3 Never Mind
Written-ByMatthew Moore
1:48
B4 Give Me More
Written-ByMatthew Moore
2:45
B5 She's On My Mind
Written-ByJack Dalton
2:24
B6 Walking Around
Written-ByMatthew Moore
1:52

Credits

  • Arranged By [Strings]Robert Klimes (tracks: A2, A4, A6, B2, B4)
  • Art DirectionWoody Woodward
  • Illustration [Cover]John Eastman*
  • ProducerLarry Brown

Notes

A Sidewalk Production, Inc.

The matrix runout codes are each followed by a 5-pointed star symbol.

Barcode and Other Identifiers

  • Matrix / Runout (A-side): LP-12381-1 ☆
  • Matrix / Runout (B-side): LP-12381-2 ☆

Other Versions (5 of 10)

View All
Title (Format) Label Cat# Country Year
New Submission
Without Earth (LP, Album) Liberty LBS 83146 I 1968
New Submission
Without Earth (LP, Album) Liberty LBS 83146 UK 1968
Without Earth (LP, Album, Mono) Liberty LBL 83146 UK 1968
New Submission
Without Earth (LP, Album, Mono, Research Craft Press) Imperial LP-9381 US 1968
New Submission
Without Earth (LP, Album, Stereo, Research Craft Press) Imperial LP-12381 US 1968

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Reviews

  • jlipari627's avatar
    jlipari627
    The reissue is here! Comes out 5/9/25! Pre Order at Rough Trade for $30! Finally a brand new reissue of the masterpiece. Just ordered mine!
    • CandyManSC's avatar
      CandyManSC
      Edited 4 months ago
      Everybody's been talking up the music, but what no one has mentioned yet is how GREAT this pressing is. It’s warm and full of life, with excellent stereo separation and clarity for the time. You can tell these guys were studio wizards as well.

      I much prefer it to the Rev-Ola CD, which has the beautiful harmonies sounding shrill with little dynamic range.
      • PsychedelicGuy's avatar
        PsychedelicGuy
        A legit psychedelic masterpiece. Start to finish this takes you on a whimsical trip that usually is produced by acts from the UK. This rivals some of the best from across the pond and to this day is still affordable. If you don't have this already stop everything and buy a copy.
        • manyrecords2hands's avatar
          Edited 2 years ago
          Underrated beatles esque psychedelia, very intricate mixing of instrumentation for its time.
          The cover of "Brother Lou's Love Colony" by Colours on this album is one of the best songs I've ever heard.
          • tony879's avatar
            tony879
            Just as good as yer Kaleidoscope’s, Apple, Blosssom Toes and sundry other more obscure Psych acts whose OG albums now cost an arm and a leg.
            A good bit of psychedelic action up there with some of the most catchiest offerings from the bigger names.
            Those that know have known about this album for many years, about time it got some recognition. Their second is nowhere near as good….
            • psychdreams's avatar
              psychdreams
              This album delivers in every aspect... such a good listen. On par with Skip Bifferty ? Grab it before prices go up !
              • streetmouse's avatar
                streetmouse
                Even with their Peter Max influenced album jacket and Magical Mystery Tour influences, The Moon traveled virtually unnoticed, delivering spacey soft-pop psychedelic arrangements [more worthy than those delivered by Syd Barrett of Pink Floyd], where fuzzed out distorted acid-laced guitars, shimmering backward cymbals, and outstanding harmonies melted into melodic melodies dripping with intoxication, over which vocal echoing visions sought to convey an actual LSD experience. And as good as all this sounds, the band, with their fragile beauty, never managed to make much of an impression ... lacking both a ive single and the nurturing of their record label. Yes, the song “Someday Girl” was heavenly, and could often be heard on very late night radio, or serving as background music to a liquid light show as the audience drifted into a venue ... and that’s a real shame, because The Moon had genuine talent, treading lightly on the progressive baroque elements [championed by groups like Smoke, The Left Banke, and The Zombies] that were just around the corner, moving with a consistency that should have had them sitting in the first few rows, and not the balcony.

                Headed by David Marks and Matthew Moore, The Moon spun from impressive backgrounds. David Marks had been a member of The Beach Boys, playing rhythm guitar on their first four albums, and then with Dave & The Marksmen ... while Matthew Moore perfected his craft while heading Matthew Moore Plus Four, with both having a series of notable singles. Be all that as it may, none of the tracks found on Without Earth even managed to chart on Top 40 Radio, leaving The Moon off course, awash in a sea of music that was rapidly changing, and finding a home, if not a bit of cult status, in the hearts and minds of those for whom pop-psychedelic was totally irresistible.

                Make no mistake ... Without Earth should be heard on vinyl, allowing it to be a vision in and of the times.

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