Charles MingusMingus Ah Um

Label:

Jazz Wax Records – JWR4530

Series:

Jazz Classics (4)

Format:

Vinyl , LP, Album, Limited Edition, Reissue, Remastered, Stereo , 180 g

Country:

Europe

Released:

Genre:

Jazz

Style:

Bop

Tracklist

A1 Better Get It In Your Soul 7:23
A2 Goodbye Pork Pie Hat 5:44
A3 Boogie Stop Shuffle 5:03
A4 Self-Portrait In Three Colors 3:10
A5 Open Letter To Duke 5:51
B1 Bird Calls 6:18
B2 Fables Of Faubus 8:14
B3 Pussy Cat Dues 9:15
B4 Jelly Roll 6:17

Companies, etc.

  • Phonographic Copyright ℗Jazz Wax Records
  • Copyright ©Jazz Wax Records
  • Pressed ByGZ Digital Media – 85607E

Credits

  • Alto Saxophone, Tenor SaxophoneShafi Hadi
  • Alto Saxophone, Tenor Saxophone, ClarinetJohn Handy
  • Bass, LeaderCharles Mingus
  • Composed By [All Compositions By]Charles Mingus
  • DrumsDannie Richmond
  • Liner NotesLeonard Feather
  • Photography By [Photo: X]Anonymous
  • PianoHorace Parlan
  • ProducerTeo Macero
  • Tenor SaxophoneBooker Ervin
  • TromboneWillie Dennis (tracks: A2 to A5)

Notes

180 gram vinyl.
Direct Metal Mastering (DMM).
Collector's edition.
Newly remastered.
One-pressing limited edition.
Pure virgin vinyl.

Series hype sticker affixed to shrink.

Original liner notes on jacket back cover.

Includes "The Jazz Catalogue" "Back To Vinyl!" series insert.

First catalog number (JWR 4530) on jacket.
Second catalog number (JWR4530) on labels.

Alto and tenor sax credit appears as "Curtis Porter (aka Shafi Hadi)."

Recorded New York, May 5 (A1 & Side B) & May 12 (A2-A5), 1959.

Runouts are stamped.

Barcode and Other Identifiers

  • Barcode (Text): 8 436028 696819
  • Barcode (Scanned, EAN-13): 8436028696819
  • Matrix / Runout (Side A runout, variant 1): JWR4530 85607E1/A
  • Matrix / Runout (Side B runout, variant 1): JWR4530 85607E2/A
  • Matrix / Runout (Side A runout, variant 2): JWR4530 85607E1/H
  • Matrix / Runout (Side B runout, variant 2): JWR4530 85607E2/H
  • Matrix / Runout (Side A runout, variant 3): JWR4530 85607E1/I
  • Matrix / Runout (Side B runout, variant 3): JWR4530 85607E2/K

Other Versions (5 of 193)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Mingus Ah Um (LP, Album, Stereo) Columbia CS 8171 US 1959
Recently Edited
Mingus Ah Um (LP, Album, Mono) Columbia CL 1370 US 1959
New Submission
Mingus Ah Um (LP, Album, Stereo) Coronet (2) KLLS 1658 Australia 1959
New Submission
Mingus Ah Um (LP, Album, Promo, Mono) Columbia CL 1370 US 1959
New Submission
Mingus Ah Um (LP, Album, Mono) Columbia CL 1370 Canada 1959

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Reviews

  • Down5555's avatar
    Down5555
    Edited 2 months ago
    So this is a very clean sounding pressing , sounds more like a CD then Vinyl . I also have a copy of https://discogs.futbolgratis.org/release/2023361-Charles-Mingus-Better-Git-It-In-Your-Soul - This is a repressing from the 1970's that includes Ah Um and Mingus Dynasty . It sounds warmer then this 2009 Jazz Wax , but my copy has surface noise and pops . This is the dilemma you will have , pay $15.00 for the 2009 or maybe $50 - $ 100 for an original clean 1970's repress .Its a great album , so if even if you do not have the best copy its a enjoyable experience .
    • Johnnymics's avatar
      Johnnymics
      If you’re getting into jazz and money is tight, these reissues aren’t that bad. Just these European labels are working within a grey market and they don’t pay licensing fees, hence they’ve stolen the music. As far as sound quality, if you’re use to CD’s or love a clean almost artificial sound that digital provides, you’ll love it. The vinyl itself is flat and silent. I do have some distortion/flutter in the horns on Goodbye Pork Pie Hat. As far as comparing to an OG pressing or a reissue like the AP, it doesn’t compare. Albums cut from analog tape have a warmth and roundness that digital hasn’t been able to recreate yet. That doesn’t mean this reissue sounds bad, it just sounds different. Some people like digital sounding music because of the cleanness it provides. I personally prefer analog, as it’s warmer and more open. I would suggest looking into the Music On Vinyl repress of this album. It’s one of the few releases they’ve cut from tape and it sounds great. Plus they pay licensing fees, so these artist estates get paid for the reproduction of this incredible music.
      • Mfurst's avatar
        Mfurst
        Like others have said, the sound on this is quite good and I can't imagine the AP 33 rpm being close to double (almost triple) better as the price would suggest. Only problem is that it is totally a bowl...to the point in fact that it starts playing on side B without the needle even being dropped because the edge is so high. This seems to be a common issue now and doesn't seem to affect sound so for the ridiculously low price, I can't complain too much.
        • Domin_stax's avatar
          Domin_stax
          This reissue sound very very good. I don’t know how the original pressings sound but for the price it’s a good bought.
          • adamrdunn's avatar
            adamrdunn
            This is my third Jazz Wax release and I have never had a bad pressing yet. This release is quiet and clean sounding. Pressing is centered and flat. Worth picking up.
            • JuniperCastle's avatar
              JuniperCastle
              Agreed with other commenters. Sounds great for the non-picky-- and especially for the price!!

              Should note these are the 1979 "full-length" tracks according to the center label, which means the album pushes to 57 minutes. Doesn't sound compressed, but it's something to note.
              • J-Keller's avatar
                J-Keller
                My copy plays surprisingly well and sounds surprisingly good. For the price this album is selling for at retail, I’d call this one a massive bargain. For many people, this copy will do you just fine. It sounds great.
                • accarver1995's avatar
                  accarver1995
                  Got this brand new from Barnes and Noble for $8, incredible deal. Pretty good pressing for the ridiculously low price to, it would be stupid not to pick it up.
                  • CalebTremills's avatar
                    CalebTremills
                    I felt like I was doing the Pepsi challenge with this record. I know Wax time is one of those “gray area” labels with questionable sources and subpar sound quality but this one is really nice. If blindfolded and told it was from Analog Production I probably couldn’t tell you the difference.
                    • TheLordThyGod's avatar
                      TheLordThyGod
                      This copy sounds… fine. It’s a super cheap copy that punches over its weight. I’ll upgrade someday but for now this is entirely listenable.

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