Danzig – Danzig
Label: |
Def American Recordings – 838 487-1 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Heavy Metal |
Tracklist
| A1 | Twist Of Cain | 4:17 | |
| A2 | Not Of This World | 3:43 | |
| A3 | She Rides | 5:11 | |
| A4 | Soul On Fire | 4:37 | |
| A5 | Am I Demon | 4:58 | |
| B1 | Mother | 3:26 | |
| B2 | Possession | 3:56 | |
| B3 | End Of Time | 4:02 | |
| B4 | The Hunter | 3:31 | |
| B5 | Evil Thing | 3:17 |
Companies, etc.
- Pressed By – EMI Records
- Lacquer Cut At – Tape One
- Phonographic Copyright ℗ – Def American Recordings, Inc.
- Copyright © – Def American Recordings, Inc.
Credits
- Bass – Eerie Von
- Drums – Chuck Biscuits
- Guitar [Lead] – John Christ
- Producer – Rick Rubin
- Vocals, Written-By – Glenn Danzig
Notes
Recorded at Atlantic Recording Studios, and Chung King Metal (N.Y.C.)
Mixed at Smoke Tree and Village (L.A.)
Mixed at Smoke Tree and Village (L.A.)
Barcode and Other Identifiers
- Barcode: 0 42283 84871 9
- Label Code: LC7181
- Matrix / Runout (Side A): 8384871 A-1U-1-1 ~ TAPE 1
- Matrix / Runout (Side B): 8384871 B-2U-1-1 ~ TAPE 1
Other Versions (5 of 149)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Danzig (CD, Album) | Def American Recordings | 9 24208-2 | US | 1988 | ||
| Danzig (LP, Album, Specialty Pressing, Gatefold) | Def American Recordings | DEF 24208 | US | 1988 | |||
|
Recently Edited
|
Danzig (Cassette, Album, SR, Dolby) | Def American Recordings | 9 24208-4, 4-24208 | US | 1988 | ||
|
Recently Edited
|
Danzig (LP, Album, Stereo, Gatefold) | London Records | 828 124-1 | Europe | 1988 | ||
| Danzig (CD, Album, Promo) | Def American Recordings | DEF 24208-01 | US | 1988 |
Recommendations
Reviews
-
This record sounds incredible. I’ve had some ‘unofficial’ versions of this before now and forgot to play the original ( not wanting to overplay it etc ) but every time I go back to it I’m blown away with the clarity of this recording. Recently acquired a 2nd copy too as why is one ever enough when it’s a classic? Both have their subtle differences - but what comes out clear in the original pressings are all the fine and subtle extras in the recorded tracks - the saxophone notes in soul on fire, high chimes and voices in possession, as well as all the subtle b/g female voices that sneak into some other tracks along with some other unusual noise effects here and there. For one of Rick Rubin’s trademark dry sounding rock recordings it is unbelievably rich too. Idk if that makes sense for anyone reading this - but it is a must have album for any hard rock/older metal enthusiasts! Try to get one under £100 - you still can!
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
4 copies from €141.08