Tom Waits – Bone Machine
Label: |
UMe – 00602448898470 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Blues |
Style: |
Blues Rock |
Tracklist
| A1 | Earth Died Screaming | 3:36 | |
| A2 | Dirt In The Ground | 4:07 | |
| A3 | Such A Scream | 2:08 | |
| A4 | All Stripped Down | 3:03 | |
| A5 | Who Are You | 3:54 | |
| A6 | The Ocean Doesn't Want Me | 1:49 | |
| A7 | Jesus Gonna Be Here | 3:18 | |
| A8 | A Little Rain | 2:58 | |
| B1 | In The Colosseum | 4:50 | |
| B2 | Goin' Out West | 3:20 | |
| B3 | Murder In The Red Barn | 4:28 | |
| B4 | Black Wings | 4:35 | |
| B5 | Whistle Down The Wind | 4:35 | |
| B6 | I Dont Wanna Grow Up | 2:31 | |
| B7 | Let Me Get Up On It | 0:53 | |
| B8 | That Feel | 3:13 |
Companies, etc.
- Record Company – Universal Music
- Phonographic Copyright ℗ – UMG Recordings, Inc.
- Copyright © – UMG Recordings, Inc.
- Copyright © – Jalma Music Inc.
- Copyright © – Promopub B.V.
- Recorded At – Prairie Sun Recording Studios
- Mixed At – Studio 900
- Mastered At – Masterdisk
- Remastered At – Bernie Grundman Mastering
- Lacquer Cut At – AA Mastering
- Pressed By – GZ Media – 266623E
- Published By – Jalma Music Inc.
Credits
- Art Direction, Design – Christie Rixford
- Coordinator [Production] – Teresa Jones (2)
- Cover, Concept By – Tom Waits
- Cover, Concept By, Photography By – Jesse Dylan
- Engineer [2nd] – Joe Marquez
- Engineer [3rd] – Shawn Michael Morris
- Lacquer Cut By – Alex Abrash
- Mastered By – Bob Ludwig
- Mixed By – Tchad Blake (tracks: A1-A5, B1, B3, B4, B7)
- Producer, Supervised By [Remastering] – Tom Waits
- Recorded By – Joe Marquez (tracks: A8, B5)
- Remastered By – Chris Bellman
- Supervised By [Remastering] – Karl Derfler
Notes
[Sticker on cover]:
Newly remasterd with Waits/Brennan
Audio sourced from original production master tape
Restored album packaging
Pressed on 180g black vinyl
[Sticker on back cover in capitalized letters]:
Made in Czech Republic
Released with a b/w glossy cardboard inner sleeve showing lyrics and credits.
The runout strings are stamped/etched.
Newly remasterd with Waits/Brennan
Audio sourced from original production master tape
Restored album packaging
Pressed on 180g black vinyl
[Sticker on back cover in capitalized letters]:
Made in Czech Republic
Released with a b/w glossy cardboard inner sleeve showing lyrics and credits.
The runout strings are stamped/etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02448 89847 0
- Barcode (Scanned): 602448898470
- Label Code (On back cover): LC00407
- Rights Society (On back cover): BIEM / SDRM
- Matrix / Runout (Side A label): 00602448898470 A
- Matrix / Runout (Side B label): 00602448898470 B
- Matrix / Runout (Side A runout, variant 1): 266623E1 1688533 861919 AA B0037076-01-LP01-A B0037076-01-LP01-A A A
- Matrix / Runout (Side B runout, variant 1): 266623E2 AA 1727216 616123 B0037076-01-LP01-B B0037076-01-LP01B B
- Matrix / Runout (Side A runout, variant 2): 266623E1 1733704 B0037076-01-LP01-A 616123 AA B0037076-01-LP01-A -A -A
- Matrix / Runout (Side B runout, variant 2): 266623E2 AA 1727216 616123 B0037076-01-LP01-B B0037076-01-LP01B -B
- Matrix / Runout (Side A runout, variant 3): 266623E1 AA 1688533 B0037076-01-LP01-A 616123 B0037076-01-LP01-A -A -A
- Matrix / Runout (Side B runout, variant 3): 266623E2 AA 1727216 616123 B0037076-01-LP01-B B0037076-01-LP01B -B
Other Versions (5 of 93)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Bone Machine (LP, Album) | Island Records | ILPS 9993, 512 580-1 | UK & Europe | 1992 | ||
|
Recently Edited
|
Bone Machine (CD, Album) | Island Records | 314-512 580-2 | US | 1992 | ||
| Bone Machine (CD, Album, Stereo) | Island Records | 74321 10351 2 | Europe | 1992 | |||
|
Recently Edited
|
Bone Machine (LP, Album) | Island Records | 74321 10351 1 | Europe | 1992 | ||
|
Recently Edited
|
Bone Machine (CD, Album) | Island Records | 314-512 580-2 | Canada | 1992 |
Recommendations
Reviews
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Edited 2 months agoBought it when it was released, since it's one of my all-time favourite Tom Waits' records, wet-cleaned & listened to it. Completely disappointed, found it horrible and unlistenable…
BUT one year and half later, thoroughly ed it on my new spincare machine… and surprise ! It actually sounds pretty good ! Still way too quiet but at least it doesn't have a sh*tshow of noises and crackles as before, making it unlistenable. Now it's fine enough. -
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Honestly think I prefer my bootleg copy to this new pressing. It too has a couple of pops/clicks, but not quite as many, and it’s much louder. -
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Volume is low, but the sound is great. Remaster brings out a ton of stuff I guarantee you never heard. My copy was flat and beautiful right out of the lyric sleeve. The artwork also--huge, clear, and righteous. I never made out what was on the back before.
Like the Waits/Brennan remaster of Real Gone, I think the sound is wended toward sounding like Swordfishtrombones, which is a great sound. Some people thinks it ruins a classic, but as long as there is no added instrumentation I welcome new mastering choices. -
Extremely low volume on this. Never had an LP that I’ve had to turn the volume up so high on, which then obviously accentuates the pops alarmingly. -
Mine is not bad. Sure it's not the quietest wax I've had and apart from that weird oily sheen the record is flat and -almost- crackle free. Comes through my system at a correct volume. Not audiophile, but very acceptable and a worthy replacement to the played-to-shreds original I have. Came with a small "Made in Czech Republic" sticker... that GZ? -
Edited one year agoYep, mine is quiet, crackles heaps and even has one small lump on it that makes a loud crack for a minute on side B. -
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Im in on the rant, this sucks they killed the bass and its not GZ`s fault, nice pressing it is.
2 lp with bass please(cd has good bass). These short songs should be easy to put on four sides.
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