Herb Alpert – Rise
Label: |
A&M Records – SP 4790 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Jazz-Funk |
Tracklist
| A1 | 1980 | 2:25 | |
| A2 | Rise | 7:37 | |
| A3 | Behind The Rain | 5:34 | |
| A4 | Rotation | 5:12 | |
| B1 | Street Life | 5:01 | |
| B2 | Love Is | 4:28 | |
| B3 | Angelina | 4:13 | |
| B4 | Aranjuez (Mon Amour) (A-Ron-Ways) | 6:42 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records, Inc.
- Copyright © – A&M Records, Inc.
- Published By – Almo Music Corp.
- Published By – Badazz Music
- Published By – Four Knights Music Co.
- Published By – Irving Music, Inc.
- Published By – Bleu Nig
- Published By – Blue Beard Music LTD.
- Published By – Éditions Salabert
- Recorded At – A&M Studios
- Pressed By – Columbia Records Pressing Plant, Santa Maria
Credits
- Accordion – Pete Jolly (tracks: B4)
- Acoustic Bass – Bob Magnusson (tracks: A1)
- Acoustic Guitar – Abe Laboriel* (tracks: B4)
- Art Direction – Roland Young (3)
- Bass – Louis Johnson (tracks: B2)
- Bass [Synthesized] – Michel Colombier (tracks: A1)
- Concertmaster – Harry Bluestone (tracks: B4)
- Concertmaster [Strings Concertmaster] – Paul Shure (tracks: A3, B1)
- Contractor [Strings Contractor] – Ben Barrett* (tracks: A3, B1)
- Design – Amy Nagasawa
- Drums – Steve Schaeffer (tracks: A2)
- Electric Piano [Fender Rhodes] – Mike Lang
- Engineer – Mark Smith (9) (tracks: A3, A4, B1 to B3)
- Engineer [Assisted By] – Steve Katz (2) (tracks: A3, A4, B1 to B3)
- Guitar – Tim May (tracks: A2)
- Lute, Balalaika – Tom Tedesco* (tracks: B4)
- Lyricon – Tom Scott (tracks: B4)
- Marimba – Julius Wechter (tracks: A2)
- Mastered By – Bernie Grundman
- Mixed By [Re-Mixed By] – Don Hahn
- Orchestrated By [Orchestration] – Michel Colombier (tracks: A1, B4)
- Orchestrated By [Strings Orchestrated By] – Tom-Tom 84* (tracks: A3, B1)
- Percussion – Manolo*
- Percussion, Drums – Steve Schaeffer
- Percussion, Harpsichord [Tavia], Synthesizer [Moog Drums], Drums, Percussion [Insanities] – Randy Badazz
- Photography By – Barry McKinley (2)
- Piano – Mike Lang (tracks: A2)
- Piano [Acoustic] – Joe Sample
- Piano [Acoustic], Electric Piano [Rhodes], Clavinet, Synthesizer – Andy Armer
- Producer – Randy Badazz
- Producer [Associate] – Andy Armer
- Programmed By [Synthesizer] – Michael Boddicker (tracks: A1)
- Slide Guitar [Steel] – Jay Dee Maness (tracks: B3)
- Trombone [Alto On Fanfare] – William Reichenbach* (tracks: A1)
- Trumpet [On Fanfare] – Bob Findley (tracks: A1)
- Trumpet, Vocals, Flugelhorn – Herb Alpert
Notes
Columbia, Santa Maria pressing per "S1" and "SM" runout etchings.
Note: Labels on SM5 Variation has the text slightly aligned left vs right when comparing to other variations.
This cover shares the same UPC code (when scanned) as the RCA Club pressing Rise
First catalog number from labels.
Second catalog number from cover.
Recorded at A&M recording Studios, Studio D, Hollywood, CA.
Harvey Manson appears courtesy of Arista Records, Inc.
James Jamerson, Jr. appears courtesy of Ariola Records
Tom Scott appears courtesy of Columbia Records
Joe Sample appears courtesy of MCA Records
Michael Colombier appears courtesy of Chrysalis Records
All tunes except A1 were recorded on the 3M-32 track digital machine and transferred to analog for editing.
℗ 1979 A&M Records, Inc.
© 1979 A&M Records, Inc.
Publishing:
Almo Music Corp. (ASCAP): A1 to A4
Badazz Music (ASCAP): A2, A4
Four Knights Music Co./Irving Music, Inc. (BMI): B1
Bleu Nig (ASCAP): B2
Blue Beard Music LTD. istered in the U.S. & Canada by Almo Music Corp. (ASCAP): B3
Editions Salabert (ASCAP): B4
Note: Labels on SM5 Variation has the text slightly aligned left vs right when comparing to other variations.
This cover shares the same UPC code (when scanned) as the RCA Club pressing Rise
First catalog number from labels.
Second catalog number from cover.
Recorded at A&M recording Studios, Studio D, Hollywood, CA.
Harvey Manson appears courtesy of Arista Records, Inc.
James Jamerson, Jr. appears courtesy of Ariola Records
Tom Scott appears courtesy of Columbia Records
Joe Sample appears courtesy of MCA Records
Michael Colombier appears courtesy of Chrysalis Records
All tunes except A1 were recorded on the 3M-32 track digital machine and transferred to analog for editing.
℗ 1979 A&M Records, Inc.
© 1979 A&M Records, Inc.
Publishing:
Almo Music Corp. (ASCAP): A1 to A4
Badazz Music (ASCAP): A2, A4
Four Knights Music Co./Irving Music, Inc. (BMI): B1
Bleu Nig (ASCAP): B2
Blue Beard Music LTD. istered in the U.S. & Canada by Almo Music Corp. (ASCAP): B3
Editions Salabert (ASCAP): B4
Barcode and Other Identifiers
- Barcode (Text): 0 7502-14790-1
- Barcode (Scanned): 075021479012
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Label Side A): SP-04790-A
- Matrix / Runout (Label Side B): SP-04790-B
- Matrix / Runout (Side A etched, variant 1): AS A&M SP04790A-S1
- Matrix / Runout (Side B etched, variant 1): A&M SP04790B-SM3
- Matrix / Runout (Side A etched, variant 2): A1S A&M SP04790A-SM5
- Matrix / Runout (Side B etched, variant 2): AS A&M SP04790B-SM3
- Matrix / Runout (Side A etched, variant 3): A&M SP04790A-SM3 o B 8 S1
- Matrix / Runout (Side B etched, variant 3): A&M SP04790B-SM3 A 8 S1
- Matrix / Runout (Side A etched, variant 4): A&M SP04790A-S4 A5 S2
- Matrix / Runout (Side B etched, variant 4): A&M SP04790B-SM3 A5 1S
- Matrix / Runout (Side A etched, variant 5): A&M SP 04790A-SM5 A12 1S
- Matrix / Runout (Side B etched, variant 5): A&M SP 04790B-SM5 A3 1S
Other Versions (5 of 137)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Rise (LP, Album) | A&M Records | AMLH 64790, SP 4790 | Europe | 1979 | ||
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Recently Edited
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Rise (LP, Album, Stereo) | A&M Records | AMLH 64790 | UK | 1979 | ||
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Recently Edited
|
Rise (LP, Album) | A&M Records | 393 714-1 | 1979 | |||
|
Recently Edited
|
Rise (LP, Album) | A&M Records | AMLH 64790, SP 4790 | Europe | 1979 | ||
|
Recently Edited
|
Rise (LP, Album) | A&M Records | SP-4790 | Canada | 1979 |
Recommendations
Reviews
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Sounds amazing all the way! Great depth, and full range sound and impact from percussion. Brass/horns super clear and rounded without a piercing edge.
A cheap sleeper of an album that you should get, there's not a dud on here. Title track is just so luscious! -
Edited 9 years agoA I see, I got this version with the SP-4790 numbering and the UPC code, also got a round black sticker with the red Rise word (used on the single). Thus, I notice that both cover and label got the dash on the cat#, only on the sticker that dash is missing.
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Edited 11 years agoAll tracks but A1 were recorded on a 3M-32 track digital machine. ( http://mixonline.com/TECnology-Hall-of-Fame/1978-EM-Mastering/ ), and then transferred to analog for editing. The 3M machine 32 input channels at a 16-bit 50KHz sampling rate to 3M 1-inch digital tape. 3M didn't find the available 16-bit ADC/DACs (if there were any in 1978) to be suitable, and so they used two DACs-- a 12-bit and an 8-bit for 16-bits effective bit depth.
Piece of recording history here. Not THE first, but one of.
Release
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Recently Edited
Recently Edited
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