Wilco – Summerteeth
Label: |
Reprise Records – 9 47282-2 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Country Rock |
Tracklist
| 1 | Can't Stand It | 3:46 | |
| 2 | She's A Jar | 4:41 | |
| 3 | A Shot In The Arm | 4:18 | |
| 4 | We're Just Friends | 2:44 | |
| 5 | I'm Always In Love | 3:40 | |
| 6 | Nothing'severgonnastandinmyway(Again) | 3:19 | |
| 7 | Pieholden Suite | 3:26 | |
| 8 | How To Fight Loneliness | 3:53 | |
| 9 | Via Chicago | 5:32 | |
| 10 | ELT | 3:44 | |
| 11 | My Darling | 3:37 | |
| 12 | When You Wake Up Feeling Old | 3:54 | |
| 13 | Summer Teeth | 3:19 | |
| 14 | In A Future Age | 2:57 | |
| 15 | (no audio) | 0:22 | |
| 16 | Candyfloss | 2:57 | |
| 17 | A Shot In The Arm (Alternate Version) | 3:54 |
Companies, etc.
- Recorded At – Pedernales Studio
- Recorded At – Kingsize Sound Labs
- Recorded At – The White House
- Recorded At – Fidelitorium
- Recorded At – Dead Aunt Thelma's
- Recorded At – Ocean Way Recording
- Recorded At – Scream Studios
- Mixed At – Ocean Way Recording
- Mixed At – Scream Studios
- Mastered At – Gateway Mastering
- Record Company – Time Warner
- Copyright © – Reprise Records
- Phonographic Copyright ℗ – Reprise Records
- Copyright © – WEA International Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Manufactured By – WEA Manufacturing
- Pressed By – WEA Mfg. Olyphant – Y6840
- Published By – Words Ampersand Music
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – You Want A Piece Of This Music
- Published By – Bug Music
- Published By – Poeyfarre Songs
- Published By – 500 Ft. Toe Music
Credits
- Art Direction, Design – Lawrence Azerrad
- Band [Wilco Are] – Ken Coomer
- Booking [For Asgard (Europe)] – Paul Fenn
- Booking [For Monterey Peninsula Artists] – Frank Riley (2)
- Booking [For] – Monterey Peninsula Artists
- Engineer [Assisted By] – Steve Chadie
- Engineer [Engineered By] – Russ Long
- Engineer [Engineered With] – Chris Grainger
- Legal – Joseph Grier*
- Legal [At] – Pryor, Cashman, Sherman & Flynn, NYC*
- Management – Tony Margherita
- Management [Financial, For] – RZO*
- Management [Financial] – Lia Sweet
- Management [For] – TMM, Chicago*
- Mastered By – Bob Ludwig
- Mixed By – Jim Scott (tracks: 2 to 14)
- Mixed By [Assisted By] – Mike Scotella (tracks: 2 to 14)
- Photography By [Band Photography] – Justine Parsons
- Technician [Technical Assistance At All Recording Sessions] – Jonathan Parker
- Written-By, Producer [Produced By], Performer [Performed By] – Wilco
Notes
Two extra tracks are not mentioned on the release and therefore no further information can be given. Track 15 is a silent intermission.
Published by Words Ampersand Music/Warner-Tamerlane Publishing Co. BMI/You Want A Piece Of This Music (. by Bug Music ASCAP)/Poeyfarre Songs/500 Ft. Toe Music BMI.
Recorded from August 1997 through November 1998 at:
Pedernales Recording Studio in Spicewood, Texas-engineered by Larry Greenhill, assisted by Steve Chadie;
King Size Sound Laboratories in Chicago-engineered by Mike Hagler and Dave Trumfio;
The White House in Nashville-engineered by Russ Long with Chris Grainger;
The Fidelitorium in Kernersville, North Carolina-engineered by Mitch Easter;
Dead Aunt Thelma's in Portland, Oregon.
Additional recording at Ocean Way Recording and Scream Studio, Los Angeles.
Mixed at Ocean Way except 1 mixed at Scream.
Mastered at Gateway, Portland, Maine.
Back cover:
Reprise Records, a Time Warner Company.
©℗1999 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Made in U.S.A.
CD face:
©℗1999 Reprise Records, a Time Warner Company. Made in U.S.A. Mfg. by WEA Manufacturing.
Published by Words Ampersand Music/Warner-Tamerlane Publishing Co. BMI/You Want A Piece Of This Music (. by Bug Music ASCAP)/Poeyfarre Songs/500 Ft. Toe Music BMI.
Recorded from August 1997 through November 1998 at:
Pedernales Recording Studio in Spicewood, Texas-engineered by Larry Greenhill, assisted by Steve Chadie;
King Size Sound Laboratories in Chicago-engineered by Mike Hagler and Dave Trumfio;
The White House in Nashville-engineered by Russ Long with Chris Grainger;
The Fidelitorium in Kernersville, North Carolina-engineered by Mitch Easter;
Dead Aunt Thelma's in Portland, Oregon.
Additional recording at Ocean Way Recording and Scream Studio, Los Angeles.
Mixed at Ocean Way except 1 mixed at Scream.
Mastered at Gateway, Portland, Maine.
Back cover:
Reprise Records, a Time Warner Company.
©℗1999 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Made in U.S.A.
CD face:
©℗1999 Reprise Records, a Time Warner Company. Made in U.S.A. Mfg. by WEA Manufacturing.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-47282-2 1
- Barcode (Scanned): 093624728221
- Rights Society: BMI
- Rights Society: ASCAP
- ISRC (Track 1): USRE19800770
- ISRC (Track 2): USRE19800769
- ISRC (Track 3): USRE19800771
- ISRC (Track 4): USRE19800772
- ISRC (Track 5): USRE19800773
- ISRC (Track 6): USRE19800774
- ISRC (Track 7): USRE19800775
- ISRC (Track 8): USRE19800776
- ISRC (Track 9): USRE19800777
- ISRC (Track 10): USRE19800778
- ISRC (Track 11): USRE19800779
- ISRC (Track 12): USRE19800780
- ISRC (Track 13): USRE19800782
- ISRC (Track 14): USRE19800783
- ISRC (Track 15): USRE19800805
- ISRC (Track 16): USRE19800781
- ISRC (Track 17): USRE19900016
- Mastering SID Code (All variants): ifpi L903
- Matrix / Runout (Variant 1): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S11
- Mould SID Code (Variant 1): IFPI 2U4S
- Matrix / Runout (Variant 2): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S6
- Mould SID Code (Variant 2): IFPI 2U2I
- Matrix / Runout (Variant 3): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S17
- Mould SID Code (Variant 3): IFPI 2U3T
- Matrix / Runout (Variant 4): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S20
- Mould SID Code (Variant 4): IFPI 2U3U
- Matrix / Runout (Variant 5): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S16
- Mould SID Code (Variant 5): IFPI 2U4T
- Matrix / Runout (Variant 6): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S14
- Mould SID Code (Variant 6): IFPI 2U2P
- Matrix / Runout (Variant 7): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S6
- Mould SID Code (Variant 7): IFPI 2U2U
- Matrix / Runout (Variant 8): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S18
- Mould SID Code (Variant 8): IFPI 2U3A
- Matrix / Runout (Variant 9): wea mfg. OLYPHANT Y6840 1 47282-2 RE-1 01 M1S8
- Mould SID Code (Variant 9): IFPI 2U2L
- Matrix / Runout (Variant 10): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S12
- Mould SID Code (Variant 10): IFPI 2U4K
- Matrix / Runout (Variant 11): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S16
- Mould SID Code (Variant 11): IFPI 2U2L
- Matrix / Runout (Variant 12): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S6
- Mould SID Code (Variant 12): IFPI 2U3G
- Matrix / Runout (Variant 13): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S4
- Mould SID Code (Variant 13): IFPI 2U2P
- Matrix / Runout (Variant 14): WEA Mfg. Olyphant Y6840 1 47282-2 RE-1 01 M1S25
- Mould SID Code (Variant 14): IFPI 2U3R
Other Versions (5 of 34)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Summerteeth (CD, Album) | Reprise Records | 9362-47282-2 | Europe | 1999 | ||
| Summerteeth (2×LP, Album) | Reprise Records | 9362 47282-1 | US | 1999 | |||
|
Recently Edited
|
Summerteeth (CD, Album, Extended Version) | Reprise Records | 9362-47282-2 | Europe | 1999 | ||
|
Recently Edited
|
Summerteeth (CD, Album) | Reprise Records | WPCR-10214 | Japan | 1999 | ||
|
Recently Edited
|
Summerteeth (CD, Album) | Reprise Records | CDW 47282 | Canada | 1999 |
Recommendations
Reviews
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REDEFINING THEIR SOUND - again - with an emphasis on production this time out - WILCO still remain revivalists. Rummaging thru pop music's backyard, picking up scraps of this or that, luring the listener out of the past with familiar melodies or vocal hooks; amounts to a sound where almost all the tunes click for a moment - then fade away well before materialization. Matter of fact they all grab and let go (with the possible exception of the last song listed: "In a future age"). Tweedy still writes his cleverness into chorus and verse on almost all 17 of these songs; so it's not lyrical bankruptcy - it's the drive towards the classic formula ala Beatles/Beach Boys that regale songs like the sickeningly up-tempo "Nothing'severgonnastandinmyway(again)" or the Ooo, Ooo, Ooo of "Pieholden suite" or the Ooo, ooo, Ahh, ahh of the title track that repulse me etc. Yeah, so some people are happy that they "ditched" the mandolin, fiddle, pedal steel, banjo and resonator guitar (exit Max Johnson) (isn't that pedal steel on "ELT?") But not I. The tiring "My Darling" sounds like a lost track from PINK FLOYD's Atom Heart Mother. Almost everything "sounds like something else" (isn't that Neil Young's guitar on "Via Chicago"?) Nothing on summerteeth quite sinks in. I've heard that Jeff Tweedy has a huge record collection, so who knows where the next record will take them. I just can't help in thinking that maybe he shouldn't have given Jay's records back.
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