Jeff Mills – Mix-Up Vol. 2 Featuring Jeff Mills - LiveMix At Liquid Room, Tokyo
Tracklist
Segment 1 (35:17) | |||
1.1 | Jeff Mills– | Utopia | |
1.2 | Jeff Mills– | The Extremist (Retro Mix) | |
1.3 | Surgeon– | Magneze | |
1.4 | Joey Beltram– | The Start It Up | |
1.5 | Millsart– | Step To Enchantment (Stringent) | |
1.6 | Jeff Mills– | Life Cycle | |
1.7 | Jeff Mills– | The Bells | |
1.8 | DJ Funk– | Work That Body | |
1.9 | DJ Funk– | Run (U.K.) | |
1.10 | Joe T. Vannelli– | Play With The Voice In USA (Joey Beltram Remix) | |
1.11 | Wicked Wipe– | Rok Da House (Ian Pooley Remix) | |
1.12 | Jeff Mills– | i9 | |
1.13 | Jeff Mills– | Changes Of Life | |
1.14 | Circuit Breaker– | Overkill | |
1.15 | iO– | Eternal Sun | |
1.16 | Joey Beltram– | Game Form (Robert Armani Remix) | |
1.17 | Club MCM– | Club MCM (K.A. Happy Mix) | |
1.18 | Jeff Mills– | AX-009 | |
1.19 | Surgeon– | Move | |
1.20 | Traxmen– | Wet Floor | |
1.21 | Jeff Mills– | Detached | |
1.22 | Claude Young– | Nocturnal | |
Segment 2 (23:55) | |||
2.1 | The Advent– | Bad Boy | |
2.2 | DJ Skull– | Head Basher | |
2.3 | Rhythim Is Rhythim– | Strings Of Life | |
2.4 | Jeff Mills– | Loop 3 | |
2.5 | Jeff Mills– | The Fear As We Know It | |
2.6 | Ken Ishii– | Extra (Luke Slater Mix) | |
2.7 | Damon Wild– | Avion | |
2.8 | X-102– | Intro (X-102) | |
2.9 | Jeff Mills– | Humana | |
2.10 | H&M– | Suspense | |
2.11 | The Shadow– | The Other Side | |
2.12 | Dan Morgan– | Flowerchild | |
2.13 | Jonzon– | Bazetoya | |
Segment 3 (7:52) | |||
3.1 | Jeff Mills– | Casa | |
3.2 | Jeff Mills– | Life Cycle | |
3.3 | Millsart– | Step To Enchantment (Stringent) |
Companies, etc.
- Recorded At – Liquidroom, Shinjuku
- Mastered At – Sound Enterprises
Credits
- Art Direction, Design – Yasunobu Yamashita
- Compiled By, DJ Mix – Jeff Mills
- Concept By [Mix-Up Series Concept By] – Takkyu Ishino
- Coordinator [International Co-ordination] – Yoko Ando
- Directed By [Project] – Masakazu 'Hiro' Hiroishi
- Illustration – Shigeru Komatsuzaki
- Illustration [Co-ordination Of Illustration] – Keisuke Nemoto
- Liner Notes [Interpretation Of Liner Notes] – Ken=Go→
- Mastered By – Ron*
- Photography By – Kumiko Nakata
Notes
Recorded at Liquid Room, Tokyo on Oct. 28 1995 from 3:00 A.M.
Mastering: Sound Enterprises, Detroit.
Track 1.2 is in fact the "Retro Mix" of the track, but does not state so on the release itself.
Track 1.7 is in fact "The Bells", but is given as "Untitled A" on the release itself.
Track 1.11 incorrectly credits Rok Da House (Ian Pooley Remix).
Track 2.2 incorrectly credits "The 187 Skillz" when it is, in fact, "Head Basher".
Track 2.5 is in fact "The Fear As We Know It", but is given as "Untitled B" on the release itself.
Track 2.9 incorrectly credits "Growth" when it is, in fact, "Humana".
Title on back appears as Mix-Up Vol. 2 Featuring Jeff Mills - LiveMix At Liquid Room, Tokyo and on spine and disc simply Jeff Mills - Mix-up Vol. 2. The front artwork has unconventionally the CD credits printed whereas the backside has the full title printed as a front cover would normally have.
Mastering: Sound Enterprises, Detroit.
Track 1.2 is in fact the "Retro Mix" of the track, but does not state so on the release itself.
Track 1.7 is in fact "The Bells", but is given as "Untitled A" on the release itself.
Track 1.11 incorrectly credits Rok Da House (Ian Pooley Remix).
Track 2.2 incorrectly credits "The 187 Skillz" when it is, in fact, "Head Basher".
Track 2.5 is in fact "The Fear As We Know It", but is given as "Untitled B" on the release itself.
Track 2.9 incorrectly credits "Growth" when it is, in fact, "Humana".
Title on back appears as Mix-Up Vol. 2 Featuring Jeff Mills - LiveMix At Liquid Room, Tokyo and on spine and disc simply Jeff Mills - Mix-up Vol. 2. The front artwork has unconventionally the CD credits printed whereas the backside has the full title printed as a front cover would normally have.
Barcode and Other Identifiers
- Barcode (Text): 5 099748 402820
- Barcode (Scanned): 5099748402820
- Mastering SID Code (Variants 1, 2, 3 & 7): IFPI L554
- Mastering SID Code (Variant 4, 5, 6 & 8): IFPI L552
- Mould SID Code (Variant 1): IFPI 94K6
- Mould SID Code (Variant 2): IFPI 944A
- Mould SID Code (Variant 3): IFPI 946C
- Mould SID Code (Variant 4): IFPI 943C
- Mould SID Code (Variant 5): IFPI 94E5
- Mould SID Code (Variant 6): IFPI 94D3
- Mould SID Code (Variant 7): IFPI 949C
- Mould SID Code (Variant 8): IFPI 94F4
- Matrix / Runout (Variant 1): S0148402810-0101 24 B 1
- Matrix / Runout (Variant 2): S0148402810-0101 24 A1
- Matrix / Runout (Variant 3): S0148402810-0101 24 A1
- Matrix / Runout (Variant 4): Sony Music S0148402810-0101 12 C1
- Matrix / Runout (Variant 5): Sony Music S0148402810-0101 12 A1
- Matrix / Runout (Variant 6): Sony Music S0148402810-0101 12 A1
- Matrix / Runout (Variant 7): Sony Music S0148402810-0101 24 A2
- Matrix / Runout (Variant 8): Sony Music S0148402810-0101 12 A2
- Rights Society: SACEM SDRM SACD SGDL
- Rights Society: BIEM
- Price Code: CB 811
- Other (Manufacturing code): 01-484028-10
- Other: CDC
- Other (Near center mould): *
Other Versions (4)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Live At The Liquid Room - Tokyo (CD, Mixed) | React | REACT CD77 | UK & Ireland | 1996 | ||
Recently Edited
|
Mix-Up Vol. 2 Featuring Jeff Mills - Live Mix At Liquid Room, Tokyo (CD, Mixed) | Sony | SRCS 7969 | Japan | 1996 | ||
Recently Edited
|
Mix-Up Vol. 2 Featuring Jeff Mills - LiveMix At Liquid Room, Tokyo (CD, Mixed) | Dance Pool | 484028 2 | Australia | 1996 | ||
Recently Edited
|
Live At The Liquid Room - Tokyo (Cassette, Mixed) | React | React MC77 | UK | 1996 |
Recommendations
Reviews
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Would someone please change the order of artwork according to the cover for this release. It's the multi-colored image. Others are wrong as well.
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This is IT ! A mix cd that actually transforms the choosen material in a live-remix treatment to different sounding new monsters of a track - 3 chapters - 2 long one's , each from one of the two nights at the club on the 28th and 29th of October 1995 from 3 o'clock in the morning .. . the rawest essence of each of the 2 nights were this set was recorded and as a special treat (after some applause from the audience) Part 3 as encore . i love especially end of part 1 and the beginning of part 2 . Man how many times did i listen to this mix ? Even played it to friends , who are only into Rock . Each one was impressed at least . I doubt there will ever be a better live - set in this very vein .. not in this century fo sure..
btw: it is written this was recorded on 28th of october 1995 , but actually he played two nights there and they picked parts from each night..
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