Bauhaus – Press The Eject And Give Me The Tape
Tracklist
| A1 | In The Flat Field | 4:10 | |
| A2 | Rosegarden Funeral Of Sores | 5:30 | |
| A3 | Dancing | 2:27 | |
| A4 | The Man With The X-Ray Eyes | 3:41 | |
| A5 | Bela Lugosi's Dead | 9:22 | |
| B1 | The Spy In The Cab | 4:00 | |
| B2 | Kick In The Eye | 3:25 | |
| B3 | In Fear Of Fear | 2:47 | |
| B4 | Hollow Hills | 4:10 | |
| B5 | Stigmata Martyr | 3:29 | |
| B6 | Dark Entries | 4:13 | |
| Satori In Paris | |||
| C | Double Dare | 5:55 | |
| D | Hair Of The Dog | 2:48 |
Companies, etc.
- Distributed By – WEA Records Ltd.
- Phonographic Copyright ℗ – Beggars Banquet
- Copyright © – Beggars Banquet
- Published By – Beggars Banquet Music
- Published By – Copyright Control
- Published By – Small Wonder Music
- Recorded At – Royal Court Theatre, Liverpool
- Recorded At – The Old Vic
- Recorded At – Hammersmith Palais
- Pressed By – WEA Records Pressing Plant, West Drayton
- Recorded At – Rose Bonbon
- Published By – Beggars Banquet Music Ltd.
Credits
- Composed By – Bauhaus (tracks: C, D)
- Lacquer Cut By – Arun*
- Photography By [Photo] – Eugene Merinov
- Producer – Bauhaus
- Written-By – Bauhaus (tracks: A1, A3 to A5 to B6)
Notes
Initial copies included a 60" x 80" photo poster of the band, and the Beggars Banquet pressing of the "Satori In Paris" 7" which was released only with the LP: listed here as Sides C and D. (The only stand-alone commercial release of the 7" was in on the New Rose label.)
[On labels:]
Stereo. ℗ & © 1982 Beggars Banquet. Manufactured in the UK. Distributed by WEA Records, Ltd., a Warner Communications Company.
[On back sleeve:]
Bauhaus recorded live at Liverpool and London:
A3, B1, B2, B3, B5 & B6: Royal Court Theatre, Liverpool. Oct.31.81.
A1, A2, A5 & B4: The Old Vic, London. Feb.24.82.
A4: Hammersmith Palais, London. Nov.9.81.
All tracks published by Beggars Banquet Music except A2 Copyright Control and A5 Small Wonder Music. Courtesy of Small Wonder Records. A1, A2, B1, B5, B6 courtesy of 4AD.
Play very loud
Tracks are listed as 1 to 11 rather than A1 to B6.
The back sleeve has a few typos in the titles, the label corrects them. Typos are:
A1 In The Flatfield
A2 Rose Garden Funeral Of Sores
A5 Bela Lugosi Is Dead
Recorded live at Le Rose Bon Bon, Paris
[On labels:]
Stereo. ℗ & © 1982 Beggars Banquet. Manufactured in the UK. Distributed by WEA Records, Ltd., a Warner Communications Company.
[On back sleeve:]
Bauhaus recorded live at Liverpool and London:
A3, B1, B2, B3, B5 & B6: Royal Court Theatre, Liverpool. Oct.31.81.
A1, A2, A5 & B4: The Old Vic, London. Feb.24.82.
A4: Hammersmith Palais, London. Nov.9.81.
All tracks published by Beggars Banquet Music except A2 Copyright Control and A5 Small Wonder Music. Courtesy of Small Wonder Records. A1, A2, B1, B5, B6 courtesy of 4AD.
Play very loud
Tracks are listed as 1 to 11 rather than A1 to B6.
The back sleeve has a few typos in the titles, the label corrects them. Typos are:
A1 In The Flatfield
A2 Rose Garden Funeral Of Sores
A5 Bela Lugosi Is Dead
Recorded live at Le Rose Bon Bon, Paris
Barcode and Other Identifiers
- Other (Cat # 45): BH 1
- Matrix / Runout (Side A label): BEGA 38 A
- Matrix / Runout (Side B label): BEGA 38 B
- Matrix / Runout (Side C label): BH 1 A
- Matrix / Runout (Side D label): BH 1 B
- Matrix / Runout (Side A runout, etched, var. 1): BEGA 38 A2 ARUN W-L F/1
- Matrix / Runout (Side B runout, etched, var. 1): BEGA 38 B2 W-L F/3
- Matrix / Runout (Side A runout, etched, var. 2): BEGA 38 A2 ARUN W-L F/1 W-62
- Matrix / Runout (Side B runout, etched, var. 2): BEGA 38 B2 W-L F/3 W-12
- Matrix / Runout (Side A runout, etched, var. 3): BEGA 38 A2-10ARUN -\Ti 7-M
- Matrix / Runout (Side B runout, etched, var. 3): BEGA 38 B2-9 7-M F/3
- Matrix / Runout (Side A runout, etched, var. 4): BEGA 38 A2 ARUN F/1 W-L W-59 RD
- Matrix / Runout (Side B runout, etched, var. 4): BEGA 38 B2 W-L F/3 W-25 RD F/2
- Matrix / Runout (Side A runout, etched, var. 5): BEGA 38 A2 ARUN F/1 W-L
- Matrix / Runout (Side B runout, etched, var. 5): BEGA 38 B2 W-L W-17 F/3
- Matrix / Runout (Side C runout, etched, var. 1): BH-1- A-2 I M W-5
- Matrix / Runout (Side D runout, etched, var. 1): BH-1- B-2 I M W-1
- Matrix / Runout (Side C runout, etched, var. 2): BH-1-A-2 M W-a
- Matrix / Runout (Side D runout, etched, var. 2): BH-1-B-2 M W-4
Other Versions (5 of 49)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Press The Eject And Give Me The Tape (LP, Album, White Label) | Beggars Banquet | BEGA 38 | UK | 1982 | ||
|
New Submission
|
Press The Eject And Give Me The Tape (LP, Album, White Label) | PolyGram | none, 58003 | Greece | 1982 | ||
|
New Submission
|
Press The Eject And Give Me The Tape (LP, Album, Stereo) | Beggars Banquet | BEGA 38 | UK | 1982 | ||
|
Recently Edited
|
Press The Eject And Give Me The Tape (LP, Album) | Virgin | 205 554, 205 554-320 | 1983 | |||
| Press The Eject And Give Me The Tape (LP, Album) | Beggars Banquet | 205554 | 1983 |
Recommendations
Reviews
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The part of the record where you can hear the guy say "Press the eject, and give me the tape." always made me believe that some part of this at least, was a bootleg audience recording. Is that true? It sounds way to clean to be an audience bootleg. -
I really enjoy listening to the album, however, I often wonder if any one else noticed that the bass is out of tune on several tracks?
Release
See all versions
Recently Edited
Recently Edited
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