Tracklist
| A1 | Realities Of War | 1:10 | |
| A2 | They Declare It | 1:13 | |
| B1 | But After The Gig | 1:16 | |
| B2 | Society's Victim | 1:14 |
Companies, etc.
- Phonographic Copyright ℗ – Clay Records
- Phonographic Copyright ℗ – Intersong Music
- Lacquer Cut At – Tape One
- Mastered At – Lyntone Recordings Ltd. – LYN 8658
- Mastered At – Lyntone Recordings Ltd. – LYN 8659
- Pressed By – Orlake Records
- Recorded At – Redball Studios
Credits
- Bass – Rainy
- Design [Sleeve Design] – Martin H.
- Drums – Tezz
- Engineer, Mixed By – Steve Carr (9)
- Lacquer Cut By – Bilbo (3)
- Lead Guitar – Bones (10)
- Lyrics By, Music By – Discharge
- Photography By [Rear Pic.] – M. Stone*
- Producer, Mixed By – Mike Stone (2)
- Voice – Cal (5)
Notes
Repress with publisher names on the record labels to the right of the spindle hole. The top edge of the back sleeve has a rounded cut (see images).
Recorded at Redball Studios in 3 hours.
Thanks to no fucker.
©1980 MS
℗1980 Clay Records/Intersong
Recorded at Redball Studios in 3 hours.
Thanks to no fucker.
©1980 MS
℗1980 Clay Records/Intersong
Barcode and Other Identifiers
- Matrix / Runout (Label Side A): CLAY 1A
- Matrix / Runout (Label Side B): CLAY 1B
- Matrix / Runout (Etched Runout Side A): CLAY+1+A LYN 8658 OR DEDICATED TO TANYA A BILBO BOPPA!
- Matrix / Runout (Etched Runout Side B): CLAY+1+B LYN 8659 OR BILBO TA1PE
- Rights Society: MS
Other Versions (5 of 12)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Realities Of War (7", Angled Thumbcut) | Clay Records | CLAY 1 | UK | 1980 | ||
|
New Submission
|
Realities Of War (7", 45 RPM, Test Pressing, White Label) | Clay Records | CLAY 1 | UK | 1980 | ||
|
New Submission
|
Realities Of War (7") | Clay Records | CLAY 1 | UK | 1980 | ||
|
New Submission
|
Realities Of War (7", Rounded Thumbcut) | Clay Records | CLAY 1 | UK | 1980 | ||
|
New Submission
|
Realities Of War (7", 45 RPM, EP, Limited Edition, Reissue, White) | Havoc Records | HC7051 | US | 2011 |
Recommendations
Reviews
-
They claim to have recorded this in three hours which might not sound like much, but it's enough time to play the entire record thirty six times. Presented with such an opportunity it's difficult to imagine how they managed to get it to sound as bad as it does. 'Hear nothing see nothing say nothing' is peak Discharge; the earlier tinny, badly-produced crap and the later Very Metal records aren't worth your time.
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The start of something big. Before Discharge, nothing sounded like this. And then came the attack of the clones. But these guys broke a lot of ground and probably a lot of wind, too. Primitive and pounding punk perfection.
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