The Dave Brubeck Quartet – Time Out
Label: |
Sony Music Commercial Music Group – 88691971582 |
|---|---|
Format: |
SACD
, Hybrid, Multichannel, Stereo, Album, Remastered
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Hard Bop |
Tracklist
| 1 | Blue Rondo A La Turk | 6:44 | |
| 2 | Strange Meadow Lark | 7:22 | |
| 3 | Take Five | 5:24 | |
| 4 | Three To Get Ready | 5:24 | |
| 5 | Kathy's Waltz | 4:48 | |
| 6 | Everybody's Jumpin' | 4:23 | |
| 7 | Pick Up Sticks | 4:16 |
Companies, etc.
- Recorded At – Columbia Recording Studios
- Remastered At – Bernie Grundman Mastering
- Mastered At – Super Audio Center
- Manufactured By – Sony Music Entertainment
- Copyright © – Analogue Productions
- Glass Mastered At – Sony DADC – A0101973506-A911
- Glass Mastered At – Sony DADC – A0101973506-B911
Credits
- Alto Saxophone – Paul Desmond
- Bass – Gene Wright*
- Composed By – Paul Desmond (tracks: 3)
- Drums – Joe Morello
- Engineer [Recording] – Fred Plaut
- Liner Notes – Steve Race
- Photography By – Don Hunstein
- Piano – Dave Brubeck
- Producer – Teo Macero
- Remastered By [Stereo Layer] – Bernie Grundman
- Technician [Authored For SACD By] – Gus Skinas
Notes
Tracks 1 and 7 recorded August 18, 1959
Tracks 2 and 3 recorded July 1, 1959
Tracks 4, 5, 6 recorded July 25, 1959
All Tracks recorded at 30th Street Columbia Studios
Authored for SACD on the SONOMA system at the Super Audio Center, Boulder, Colorado.
© 2012 Analogue Productions / Originally released 1959 / Manufactured by Sony Music Entertainment
Originally released as CS 8192
[From Analogue Productions] Please note: For the Multichannel program of this SACD, we used the same hi-res file as was used for the previous Sony SACD release of this title. The Multichannel program was not remixed or remastered. Please understand that our focus and interest is on making the best sounding two-channel layer possible. We have remastered the stereo program from the original analog tapes. Because the disc allows space to include a multichannel program and because one already existed, we decided to include it as a bonus.
This is a 5.0-channel mix. There is no LFE channel.
Tracks 2 and 3 recorded July 1, 1959
Tracks 4, 5, 6 recorded July 25, 1959
All Tracks recorded at 30th Street Columbia Studios
Authored for SACD on the SONOMA system at the Super Audio Center, Boulder, Colorado.
© 2012 Analogue Productions / Originally released 1959 / Manufactured by Sony Music Entertainment
Originally released as CS 8192
[From Analogue Productions] Please note: For the Multichannel program of this SACD, we used the same hi-res file as was used for the previous Sony SACD release of this title. The Multichannel program was not remixed or remastered. Please understand that our focus and interest is on making the best sounding two-channel layer possible. We have remastered the stereo program from the original analog tapes. Because the disc allows space to include a multichannel program and because one already existed, we decided to include it as a bonus.
This is a 5.0-channel mix. There is no LFE channel.
Barcode and Other Identifiers
- Barcode (Scanned): 753088819261
- Barcode (Text): 7 53088 81926 1
- Matrix / Runout (Outer Matrix Ring, Variant 1): Sony DADC A0101973506-A911 27 A00
- Mastering SID Code (Outer Matrix Ring, Variant 1): IFPI L557
- Matrix / Runout (Inner Matrix Ring, Variant 1): Sony DADC A0101973506-B911 78 00A
- Mastering SID Code (Inner Matrix Ring, Variant 1): IFPI L558
- Mould SID Code (Variant 1): IFPI 94A8
- Matrix / Runout (Outer Matrix Ring, Variant 2): Sony DADC A0101973506-A911 16 A00
- Mastering SID Code (Outer Matrix Ring, Variant 2): IFPI L556
- Matrix / Runout (Inner Matrix Ring, Variant 2): Sony DADC A0101973506-B911 15 00A
- Mastering SID Code (Inner Matrix Ring, Variant 2): IFPI L555
- Mould SID Code (Variant 2): IFPI 94A8
Other Versions (5 of 509)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Time Out (LP, Album) | Fontana | 682 065 TL | Netherlands | 1959 | ||
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Recently Edited
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Time Out (LP, Album, Mono) | Coronet (2) | KLP 835 | New Zealand | 1959 | ||
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Recently Edited
|
Time Out (LP, Album, Promo, Mono) | Columbia | CL 1397 | US | 1959 | ||
| Time Out (LP, Album, Mono) | Columbia | CL 1397 | Canada | 1959 | |||
|
Recently Edited
|
Time Out (LP, Album, Mono, 6-Eye Label, No CBS Credit) | Columbia | CL 1397 | US | 1959 |
Recommendations
-
2011 USA & EuropeSACD —Hybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered -
-
2013 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
-
2012 USSACD —Hybrid, Mono, Album, Limited Edition, Numbered, Reissue, Remastered -
2012 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered -
2019 USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition -
-
2012 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered
Reviews
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Get this over the 45RPM before it goes out of print. It sounds just as good if not better, and it has no surface noise and won't degrade. -
This sounds pretty much like the record versions, I think. I say this because on both record versions (33 1/3 , 45) I have terrible distortion all throughout the piano ages in song 2, rendering those parts unlistenable. Everything else is almost perfect on the vinyl. Based on a little research and this SACD, I know that the problem is my stylus is not hi end enough to handle those piano ages. Thus, the SACD is indespensible to me.
The SACD sounds just like the record, sans distortion and surface noise. Very clear with a lot of air around instruments. Piano on the right, drums on the left and brass in the middle. The piano is just one touch under vibrant, but everything else is vivid and sharp, particularly the drums - important in Take Five.
There's not much else to say, as this one is pretty much perfect.
Note: I just reviewed the stereo, and not the multichannel. -
This is simply a fantastic sounding SACD… I did however, have to adjust my speaker settings a bit to make the best of the Multichannel mix, as the rear speakers are used more for room vibe rather than specific instruments; not surprisingly, considering there are only four players, and it would have been ridiculous to slavishly reassign the instruments to different speakers just for the sake of it.
Anyway: what we end up with is a terrific soundstage, and a sound which absolutely rivals the AP vinyl version, which I also have and love. Thoroughly recommended!! -
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