...And You Will Know Us By The Trail Of Dead – Source Tags & Codes
Label: |
Interscope Records – 069493236-2 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| 1 | It Was There That I Saw You | 4:02 | |
| 2 | Another Morning Stoner | 4:33 | |
| 3 | Baudelaire | 4:16 | |
| 4 | Homage | 3:29 | |
| 5 | How Near How Far | 4:00 | |
| 6 | Heart In The Hand Of The Matter | 4:48 | |
| 7 | Monsoon | 5:53 | |
| 8 | Days Of Being Wild | 3:27 | |
| 9 | Relative Ways | 4:03 | |
| 10 | After The Laughter | 1:15 | |
| 11 | Source Tags & Codes | 6:08 |
Companies, etc.
- Manufactured By – Universal Music & Video Distribution, Corp.
- Distributed By – Universal Music & Video Distribution, Corp.
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Interscope Records
- Copyright © – Don't Steal Our Music
- Recorded At – Brooklyn Bridge Studio
- Recorded At – Prairie Sun Recording Studios
- Recorded At – Deepfield Studio
- Recorded At – New Reflections
- Recorded At – Ocean Way Nashville
- Recorded At – Masterdisk
- Manufactured By – Matsushita Universal Media Services – 0979110739
- Manufactured By – Matsushita Universal Media Services – 0979117061
Credits
- Arranged By [String Arrangements] – John Painter*
- Art Direction [Art Director] – Traci Goudie
- Artwork, Calligraphy – Jason Reece
- Backing Vocals [Additional Back-Up Vocals] – James Olsen (tracks: 3, 8, 10)
- Cello – John Catchings
- Edited By [Editing] – Roger Lian
- Engineer [Brooklyn Bridge Studio] – Andy Taub
- Engineer [Deepfield Studio] – Barry McClellen
- Engineer [Engineered By] – Michael McCarthy*
- Engineer [Prairie Sun Studio] – Mooka Rennick
- Engineer [Second Engineer - Brooklyn Bridge Studio] – Jim Vollentine
- Engineer [Second Engineer - New Reflections Studio] – Jim Lightman
- Engineer [Second Engineer - Oceanway Studio] – Leslie Richter
- Engineer [Second Engineer - Prairie Sun Studio] – Gene Cornelilus*
- Flugelhorn – John Painter*
- Layout, Artwork [Portraits] – Traci Goudie
- Management [Intern - Prairie Sun Studio] – Tetsuya Otani
- Management [Studio Manager - Masterdisk Studios] – Jennifer Quinn
- Management [Studio Manager - Oceanway Studio] – Sharon Corbitt
- Management [Studio Manager - Prairie Sun Studio] – Jason D'Ottavio
- Mastered By [Mastering Engineer] – Howie Weinberg
- Other [Loan Of Shortwave Radios] – King Williams
- Percussion [Additional Percussion], Bells [Hammered Bells], Timpani [Tympani] – Eric Darken
- Performer [...And You Will Know Us By The Trail Of Dead Is] – Neil Busch
- Producer [Produced By] – Michael McCarthy*
- Technician [Guitar And Amp Rentals] – Larry Cragg
- Tenor Saxophone [Tenor Saxaphone], Baritone Saxophone [Baritone Saxaphone], Bass Harmonica – Jim Hoke
- Trumpet – John Painter*
- Viola – Kristen Wilkinson*
- Violin – Pam Sixfen*
- Written-By [Co-written By] – James Olsen (tracks: 8)
- Written-By, Co-producer [Co-produced By] – ...And You Will Know Us By The Trail Of Dead
Notes
Issued with a 16 page booklet with credits, lyrics and artwork in a standard jewel case with clear tray.
Recording sessions:
Brooklyn Bridge Studio, Austin, TX
Prairie Sun Studio, Cotati, CA
Deepfield Studio, Nashville, TN
New Reflections Studio, Nashville, TN
Oceanway Studio, Nashville, TN
Masterdisk Studios, New York, NY
"Someday You'll Want Me to Want You" by Jimmie Hodges; sung by Mary Margaret Ragan, Nov. 26, 1949
In loving memory of Lucas Porcell (1971-2001)
℗ & © 2002 Interscope Records.
Copyright © 2001 Don't Steal Our Music (ASCAP)
Invocation and Days of Being Wild co-written by James Olsen (ASCAP)
Printed in the U.S.A.
Recording sessions:
Brooklyn Bridge Studio, Austin, TX
Prairie Sun Studio, Cotati, CA
Deepfield Studio, Nashville, TN
New Reflections Studio, Nashville, TN
Oceanway Studio, Nashville, TN
Masterdisk Studios, New York, NY
"Someday You'll Want Me to Want You" by Jimmie Hodges; sung by Mary Margaret Ragan, Nov. 26, 1949
In loving memory of Lucas Porcell (1971-2001)
℗ & © 2002 Interscope Records.
Copyright © 2001 Don't Steal Our Music (ASCAP)
Invocation and Days of Being Wild co-written by James Olsen (ASCAP)
Printed in the U.S.A.
Barcode and Other Identifiers
- Barcode (Scanned): 606949323622
- Barcode (Text): 6 06949 32362 2
- Rights Society: ASCAP
- Matrix / Runout (Variants 1, 2, 4, 5): 0694932362 0979110739 MFG BY MATSUSHITA UNIVERSAL MEDIA SERVICES
- Matrix / Runout (Variants 3, 6): 0694932362 0979117061
- Mastering SID Code (Variants 1 to 6): IFPI L771
- Mould SID Code (Variant 1): IFPI 2A47
- Mould SID Code (Variant 2): IFPI 2A05
- Mould SID Code (Variant 3): IFPI 2445
- Mould SID Code (Variant 4): IFPI 2A02
- Mould SID Code (Variant 5): IFPI 2A50
- Mould SID Code (Variant 6): IFPI 2A40
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
...And You Will Know Us By The Trail Of Dead (CDr, Advance, Promo) | Interscope Records | none | US | 2001 | ||
| Source Tags & Codes (CD, Album) | Interscope Records | 493249-2 | UK | 2002 | |||
|
Recently Edited
|
Source Tags & Codes (LP, Album) | Interscope Records | 493 248-1 | Europe | 2002 | ||
| Source Tags & Codes (CD, ) | Interscope Records | UICS-1037 | Japan | 2002 | |||
|
Recently Edited
|
Source Tags & Codes (LP, Album) | Interscope Records | 069493236-1 | US | 2002 |
Recommendations
Reviews
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Edited 4 years agoI think I have a promo lp copy of source tags and codes but I don't see it listed as existing?
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A 100%-er. There are no flaws, no filler, its amazing through and through... it will certainly be ed for a very long time to come. The first listen is just shocking, prepare yourself.
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Miserable but never hopeless, that's how I describe this album. This along with Unwound's Leaves Will Turn Inside You and Brand New's The Devil and God Are Raging Inside Me are, at least for me, the definitive Post-Hardcore recordings of the last decade. I could go on forever on why I love this album but for the sake of brevity I will simply say this bundle of songs is perfect. Classic.
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Edited 19 years agoA superb mesh of indie rock grandeur, song-long climaxes, straight-ahead hardcore and choice texture. Far and away the best album they have released and destined to be one of the 100 best of the decade.
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