A Tribe Called QuestPeople's Instinctive Travels And The Paths Of Rhythm

Label:

Sony Music – 88875172371

Format:

2 x Vinyl , LP, Album, Reissue, Remastered , 25th Anniversary, Gatefold, 180 gram

Country:

Europe

Released:

Genre:

Hip Hop

Style:

Jazzy Hip-Hop

Tracklist

A1 Push It Along
Written-ByK. Fareed*
Written-By [Loran's Dance], Performer [Loran's Dance]Grover Washington, Jr.
7:42
A2 Luck Of Lucien
Performer [Forty Days]Billy Brooks
Written-ByR. Jackson*
Written-By [Forty Days, Uncredited]Julius Brooks
Written-By [Forty Days]R. Jackson*
4:32
A3 After Hours
Written-ByK. Fareed*
4:39
A4 Footprints
Performer [Think Twice]Donald Byrd
Written-ByS. Wonder*
Written-By [Sir Duke], Performer [Sir Duke]Stevie Wonder
Written-By [Think Twice]Sigidi Abdullah
4:00
B1 I Left My Wallet In El Segundo
Performer [Let's Get Funky]The Chambers Brothers
Written-ByK. Fareed*
Written-By [Let's Get Funky]W. Chambers*
4:06
B2 Pubic Enemy
Written-ByK. Fareed*
3:45
B3 Bonita Applebum
Performer [Daylight, Uncredited]Ramp (3)
Performer [Soul Virgo]Cannonball Adderley
Written-ByW. Allen*
Written-By [Daylight]W. Allen*
Written-By [Memory Band]Charles Stepney
Written-By [Soul Virgo]W. Booker*
4:11
B4 Can I Kick It?
Performer [Spinning Wheel]Lonnie Smith
Written-ByL. Reed*
Written-By [Walk On The Wild Side], Performer [Walk On The Wild Side]Lou Reed
4:52
B5 Youthful Expression
Written-ByM. Gaye*
4:01
C1 Rhythm (Devoted To The Art Of Moving Butts)
Written-ByK. Fareed*
3:33
C2 Mr. Muhammad
Arranged By [Brazilian Rhyme]Maurice White
Performer [Brazilian Rhyme]Earth, Wind & Fire
Written-ByM. White*
5:27
C3 Ham 'N' Eggs
Performer [Nappy Dugout]Funkadelic
Written-ByK. Fareed*
Written-By [Nappy Dugout]George Clinton, Jr.*
3:54
C4 Go Ahead In The Rain
Written-ByK. Fareed*
3:54
D1 Description Of A Fool
Performer [Running Away]Roy Ayers
Written-ByR. Ayers*
Written-By [Running Away]R. Ayers*
5:41
Bonus Tracks
D2 Footprints (Remix)
Backing VocalsCherokee (6)
BassMarquis Jefferson*
Drum Programming, Programmed By [Synth Programming], SoundsMTM (9)
FeaturingCeelo Green*
KeyboardsDavid M Ott*
Performer [Think Twice]Donald Byrd
Recorded By, Mixed ByNeal H Pogue*
Remix, Producer [Remix]MTM (9)
Written-ByT. Callaway*
Written-By [Sir Duke], Performer [Sir Duke]Stevie Wonder
Written-By [Think Twice]Sigidi Abdullah
5:08
D3 Bonita Applebum (Pharrell Williams Remix)
Edited By [Digital Editing By], Arranged ByMike Larson (4)
Mixed ByBob Power
ProducerPharrell Williams
Recorded ByMike Larson (4)
RemixPharrell Williams
Written-ByW. Allen*
3:53
D4 Can I Kick It? (J. Cole Remix)
Instruments [Live]R. Saadiq*
Mixed ByAli Shaheed Muhammad
ProducerJ. Cole
RemixJ. Cole
Written-ByL. Reed*
Written-By [Romance]Hiromasa Suzuki
2:49

Companies, etc.

  • Phonographic Copyright ℗Zomba Recording LLC
  • Copyright ©Zomba Recording LLC
  • Marketed BySony Music Entertainment
  • Distributed BySony Music Entertainment
  • Record CompanySony Music Entertainment International Services GmbH
  • Licensed FromUniversal Music Enterprises
  • Licensed FromUniversal Special Markets Inc.
  • Licensed FromBlue Note Records
  • Recorded AtCalliope Studios
  • Recorded AtBattery Studios, New York
  • Recorded AtDumb D.J. Towha's Dew Drop Inn
  • Recorded AtTheHotPurplePettingZoo
  • Recorded AtSkyline Recording
  • Recorded AtBlakeslee Studios
  • Recorded AtDreamville Studios
  • Mixed AtCalliope Studios
  • Mixed AtBattery Studios, New York
  • Mixed AtDumb D.J. Towha's Dew Drop Inn
  • Mixed AtTheHotPurplePettingZoo
  • Mixed AtBlakeslee Studios
  • Mixed AtDreamville Studios
  • Mastered AtChez Bob
  • Published ByJobete Music Co., Inc.
  • Published ByBlack Bull Music, Inc.
  • Published ByAlmo Music Corp.
  • Published BySigidi's Song
  • Published ByMusic Royalty Consulting, Inc.
  • Published ByEibur Music, Inc.
  • Published ByUpam Music Co.
  • Published ByScreen Gems Music
  • Published ByOakfield Avenue Music
  • Published ByEMI April Music Inc.
  • Published ByBridgeport Music, Inc.
  • Published BySony/ATV Tunes LLC
  • Published BySony Music Artists Inc.
  • Licensed FromMotown Records
  • Licensed FromUniversal Music Enterprises
  • Licensed FromMusidex Music
  • Licensed FromCrossover Records (3)
  • Licensed FromE.S.P. Management, Inc.
  • Licensed FromSony Music
  • Licensed FromRoy Ayers Ubiquity Music Inc.
  • Licensed FromWb Music Corp.
  • Licensed FromMichelle Bird Music
  • Licensed FromMotown Record Company
  • Licensed FromUniversal Special Markets Inc.
  • Licensed FromBlue Note Records
  • Licensed FromCapitol Records, Inc.
  • Licensed FromRCA Records
  • Licensed FromColumbia Records
  • Licensed FromSony Music Entertainment
  • Licensed FromWestbound Records
  • Licensed FromPolydor Records
  • Produced ForI Am Other Entertainment
  • Lacquer Cut AtSST Brüggemann GmbH
  • Pressed BySchallplattenfabrik Pallas GmbH – 37846

Credits

  • A&R [Project A&R]Darren Salmieri
  • Art Direction, DesignAlice Butts
  • Artwork [Single Artwork], Other [Memorabilia]Sony Music Archives
  • Coordinator [Project Direction]Will McKinney*
  • DesignZombArt DMS*
  • Design [Image Manipulation]Justin Herz
  • EngineerTim Latham
  • Executive-ProducerATCQ*
  • Executive-Producer [Executive In Charge Of Rhythmic Heads Nods]Red Alert
  • FeaturingThe Rhythm Kids
  • IllustrationPaije Hunyady
  • Lacquer Cut ByKr*
  • Legal [ATCQ]Nick Rosenberg
  • Liner NotesHarry Allen
  • ManagementRed Alert Productions*
  • Management [ATCQ Business Management]Kyle Tessiero
  • Management [ATCQ]Monica J. Talavera
  • Management [Phife]Dion Liverpool
  • Management [Q-Tip]Michael Ostin
  • Mastered ByBob Power
  • Performer [Grown And Nurtured With]The J.B.'s*
  • Photography ByAristos Marcopoulos*
  • Product Manager [Product Direction]Tom Burleigh
  • Reissue ProducerBob Power
  • Supervised By [Guided By]Qualiall
  • Supervised By [Spearheaded By], Written-By, Producer, Mixed ByA Tribe Called Quest

Notes

25th anniversary edition with 3 bonus remixes.

Made in the EU.

Track B3 erroneously credits "Stevie Wonder" as performer but in fact the real performer is "Ramp".

Pressed By and Lacquer Cut At derived from matrix details.

Runouts are etched, except for -37846- which is stamped

Barcode and Other Identifiers

  • Barcode (Text): 8 88751 72371 9
  • Barcode (Scanned): 888751723719
  • Rights Society: BIEM/GEMA
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Label Code: LC07925
  • Matrix / Runout (Label side A): 88875172371A
  • Matrix / Runout (Label side B): 88875172371B
  • Matrix / Runout (Label side C): 88875172371C
  • Matrix / Runout (Label side D): 88875172371D
  • Matrix / Runout (Runout side A, variant 1): SST -37846- 888 7517 2371 A
  • Matrix / Runout (Runout side B, variant 1): SST -37846- 888 7517 2371 B
  • Matrix / Runout (Runout side C, variant 1): SST -37849- 888 7517 2371 C
  • Matrix / Runout (Runout side D, variant 1): SST -37849- 888 7517 2371 D
  • Matrix / Runout (Runout side A, variant 2): 888 7517 2371 A2 Kr SST -37845-
  • Matrix / Runout (Runout side B, variant 2): 888 7517 2371 B 37846 Kr SST
  • Matrix / Runout (Runout side C, variant 2): 888 7517 2371 C Kr SST 37849-
  • Matrix / Runout (Runout side D, variant 2): 888 7517 2371 D2 -37849- Kr SST - ̷1̷6̷9̷7̷0̷ -
  • Matrix / Runout (Runout side A, variant 3): 88875172371 A3 -37846- I Kr SST
  • Matrix / Runout (Runout side B, variant 2): 88875172371 B2 -37846- Kr SST
  • Matrix / Runout (Runout side C, variant 3): 88875172371 C2 -37849- I Kr SST
  • Matrix / Runout (Runout side D, variant 3): 88875172371 D3 -37849- I Kr SST

Other Versions (5 of 75)

View All
Title (Format) Label Cat# Country Year
Recently Edited
People's Instinctive Travels And The Paths Of Rhythm (LP, Album) Jive HIP 96 UK & Europe 1990
Recently Edited
People's Instinctive Travels And The Paths Of Rhythm (LP, Album, Stereo) Jive ZL 74548 1990
Recently Edited
People's Instinctive Travels And The Paths Of Rhythm (CD, Album) Jive CHIP 96 UK 1990
People's Instinctive Travels And The Paths Of Rhythm (LP, Album) Jive 1331-1-J US 1990
Recently Edited
People's Instinctive Travels And The Paths Of Rhythm (CD, Album) Jive ZD74548 UK & Europe 1990

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Reviews

  • shockcorridorcinema's avatar
    well this is odd: first disc is lighter than disc 2. and disc 2 sounds warmer; far better mids. pretty sure disc 2 is cut on 180gm while the first one is not. anyone notice this discrepancy in their copy?
    • rhino4evr's avatar
      rhino4evr
      Great press and sound. No complaints . Words words words
      • Strictly_Meaningful's avatar
        that's a great pressing better sound than the original x1 LP
        • ARNAUD_MPS's avatar
          ARNAUD_MPS
          Sounds really good and so good to have this classic at a "classic " price . 24 bucks .
          Sorry to say that I love the cover
          • groovefactory's avatar
            groovefactory
            Dope release. No surface noise. Crisp and clear highs with tight, round, deep lows. Packaging is A+. One of the best sounding records I purchased this year.
            • boozo050579's avatar
              boozo050579
              Pallas usually do a great job, I wish more Hip Hop Re Issues were done by them...
              • beastienano420's avatar
                beastienano420
                This album is so good. One of my favorite hip hop albums of all times. I agree with what most have said. Very good sounding pressing. Nice flat, 180g vinyl. I also agree on the remixes… they are my least favorite songs in this album. For the jacket… I think people are being a bit picky. Yes the Original jacket is better in my eyes… the color… but this is a very nice gatefold, a bit different to celebrate 25th anniversary and the inner sleeves are polylined (is that how you say it?)
                My side 4 came with a bubbly label.. you know when by defect two labels ore stamped on… I could peel it off and a good label was right under it.
                I love this album and this pressing.
                • brewgiehowser's avatar
                  brewgiehowser
                  I really like this pressing. To my ears on my system it sounds delightful, both highs and lows.

                  There’s lots of complaints about the album cover being iridescent. I don’t mind it at all. I think one of my favorite record covers is “Because the Internet” *because* the cover is iridescent. It’s a personal preference and I get that whomever made the call thought it would make the record just a little more special- obviously it missed the mark with some people. Regardless, the quality of the jacket is nice, as well as the inners.

                  Even more complaints about the remixes being included. I did the math- Side A is 20:53 long with B1 being 4:06 (not gonna cut it), Side B is 20:55 with C1 being 3:33. If you added D1 to the C side, you’re looking at 22:29 for the 5 tracks, which could be debatable as to whether you can fit the rest of the album on the C side, and if you did that leaves… an etched D side? You’re gonna have to compress that audio to make it all fit on 3 sides of a 2LP comfortably.

                  “Take Offs and Landings” did a neat D side on the 20th anniversary reissue where they included a secret track on the D side (one that was included on the CD, but not on vinyl to my knowledge) and made the runout in the middle of the record before a picture-disc image.

                  They could have spent some time trying to strong-arm that concept into this release. Or they could have done the easy thing and just given the listener more music, which is what they did. My two cents: I would rather have the remixes I might not care than have to flip the record over to listen to one last song. And I’ve never really been one for etched D sides, but can understand that some albums are only around an hour and are too long for a 1LP release and not long enough for two full LPs unless each side is only gonna be 14-16 minutes (which has been a complaint of MBDTF on 3LP when it’s only an hour and eight minutes. Just as you get comfortable you gotta get up and flip the record).

                  I’m not saying I have the answer and maybe I’m just playing devil’s advocate, but to me it’s obvious they were trying to do something special with this release, and I think they accomplished it. I get this release upset obvious purists, but that’s life and there are other pressings. The record sounds great, the jacket is nice, and you get a few bonus tracks. Take it or leave it.
                  • Wellgradedvinyl's avatar
                    Wellgradedvinyl
                    Better than my old 1LP version. Obviously 2LPs is going to have less noise than 1 and honestly levels are perfectly just under the limit on this new edition. No issues with background noise either.
                    • justabin's avatar
                      justabin
                      FANTASTIC PRESSING! Almost nonexistent surface noise. Crisp and clear highs with tight, round, deep lows. Packaging is great too. Not sure why people don't like the iridescent cover, I think it's dope. Pallas did a great job with this one.

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