Tracklist
| One Side | |||
| Foreign Trips | 3:57 | ||
| The Darkness Revisited | 4:20 | ||
| & The Other | |||
| Orbital Ways | 4:20 | ||
| The Original | 4:18 | ||
| The Tape | 4:14 |
Credits (3)
De Wulf Frank*Composed By-
No-Ice ProductionsDesign
-
HPF Records*Producer, Edited By
Versions
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4 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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The B-Sides Volume Three
12", 33 ⅓ RPM, 45 RPM
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Music Man Records – MMI 9008 | Belgium | 1990 | Belgium — 1990 |
Recently Edited
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The B-Sides Volume Three
CD
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Music Man Records – MMI 9009 | Belgium | 1990 | Belgium — 1990 |
Recently Edited
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The B-Sides Volume Three
5×File, FLAC
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B-Sides (2) – BSIDES 004 | Belgium | 2010 | Belgium — 2010 |
New Submission
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The B-Sides Volume Three
5×File, MP3, 320 kbps
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B-Sides (2) – BSIDES 004 | Belgium | 2010 | Belgium — 2010 |
New Submission
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Recommendations
Reviews
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The Tape is ridiculously good. Oh yes it is. Really. -
The tape has stood the test of time, this 12" is criminally cheap on Discogs. -
Edited 6 months agoIn 1990 you were a happy camper to find records like this. I still love the sound from this era and '91 - things changed a lot by 92. A specific moment in time in underground dance. Snap it up - this is still proper warehouse music that bangs - due to proper production and mastering (and pressing) - which makes all the difference. Orbital Ways has an Adonis-style acid-era bassline that stands out among the Belgian vibes on other cuts - killer gem. The Tape was very inspirational to future FDW cuts and classics like Beltram's Energy Flash. -
Edited 5 years agoAll about The Tape. Such a good riff. . . .the intro was taken off Apocalypse Now. -
The Darkness Revisited samples Anne Clark's Our Darkness (1984) -
Edited 15 years agoThe copy i have of this is labeled correctly but has , foreign Trips ,The darkness Revistited on both sides.2 tracks on each side .Obviously a pressing mistake..
Is there any more out there ??? -
Edited 18 years agoThis EP contains 'The Tape' which is one of my fave FDW tracks. It starts with a sample from Apocalypse now and follows with a fantastic spiralling loop which charachterises the track. Great use of a saxophone sample (which i usually hate in dance tracks) and rumbling bassline. More on the house tip rather than the big rave noises he likes to use. Every time i heard this one played out it was always played from the beginning unmixed. Still played by myself as it has dated very well.
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