Frank De Wulf – The B-Sides Volume Three
Label: |
Music Man Records – MMI 9008 |
|---|---|
Series: |
The B-Sides – Volume Three |
Format: |
Vinyl
, 12", 33 ⅓ RPM, 45 RPM
|
Country: |
Belgium |
Released: |
|
Genre: |
Electronic |
Style: |
Techno |
Tracklist
| One Side | |||
| A1 | Foreign Trips | 3:57 | |
| A2 | The Darkness Revisited | 4:20 | |
| & The Other | |||
| B1 | Orbital Ways | 4:20 | |
| B2 | The Original | 4:18 | |
| B3 | The Tape | 4:14 |
Companies, etc.
- Distributed By – Music Man Import
- Lacquer Cut At – Foon
Credits
- Composed By – De Wulf Frank*
- Design – No-Ice Productions
- Producer, Edited By – HPF Records*
Notes
Track A2 samples:
Synth loop from Anne Clark - Our Darkness.
Track B2 samples:
Kraftwerk - Taschenrechner from Kraftwerk - Computerwelt album.
Track B3 samples:
Dialogue from the film Apocalypse Now.
Synth loop from Anne Clark - Our Darkness.
Track B2 samples:
Kraftwerk - Taschenrechner from Kraftwerk - Computerwelt album.
Track B3 samples:
Dialogue from the film Apocalypse Now.
Barcode and Other Identifiers
- Rights Society: SABAM TM
- Matrix / Runout (Runout Side A Etched): MMI 9008-A1 FOON MASTERING
- Matrix / Runout (Runout Side B Etched): MMI 9008-B1
Other Versions (3)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The B-Sides Volume Three (CD, ) | Music Man Records | MMI 9009 | Belgium | 1990 | ||
|
New Submission
|
The B-Sides Volume Three (5×File, FLAC) | B-Sides (2) | BSIDES 004 | Belgium | 2010 | ||
|
New Submission
|
The B-Sides Volume Three (5×File, MP3, 320 kbps) | B-Sides (2) | BSIDES 004 | Belgium | 2010 |
Recommendations
Reviews
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Edited 5 months agoIn 1990 you were a happy camper to find records like this. I still love the sound from this era and '91 - things changed a lot by 92. A specific moment in time in underground dance. Snap it up - this is still proper warehouse music that bangs - due to proper production and mastering (and pressing) - which makes all the difference. Orbital Ways has an Adonis-style acid-era bassline that stands out among the Belgian vibes on other cuts - killer gem. The Tape was very inspirational to future FDW cuts and classics like Beltram's Energy Flash. -
Edited 5 years agoAll about The Tape. Such a good riff. . . .the intro was taken off Apocalypse Now. -
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Edited 15 years agoThe copy i have of this is labeled correctly but has , foreign Trips ,The darkness Revistited on both sides.2 tracks on each side .Obviously a pressing mistake..
Is there any more out there ??? -
Edited 18 years agoThis EP contains 'The Tape' which is one of my fave FDW tracks. It starts with a sample from Apocalypse now and follows with a fantastic spiralling loop which charachterises the track. Great use of a saxophone sample (which i usually hate in dance tracks) and rumbling bassline. More on the house tip rather than the big rave noises he likes to use. Every time i heard this one played out it was always played from the beginning unmixed. Still played by myself as it has dated very well.
Release
See all versions
Recently Edited
Recently Edited
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