Coleman Hawkins – Bluesey Burrell
Label: |
Moodsville – MV 29 |
|---|---|
Series: |
The Prestige Stereo Series |
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Tracklist
| 1 | Tres Talbras | |
| 2 | No More | |
| 3 | Guilty | |
| 4 | Montono Blues | |
| 5 | I Thought About You | |
| 6 | Out of this World | |
| 7 | It's Getting Dark |
Companies, etc.
- Copyright © – Analogue Productions
- Licensed From – Concord Music Group, Inc.
- Manufactured By – Analogue Productions
- Distributed By – Analogue Productions
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Mastered At – Cohearent Audio
Credits
- Bass – Major Holey*
- Congas – Ray Barretto
- Drums – Eddie Locke
- Guitar – Kenny Burrell
- Mastered By – Kevin Gray
- Piano – Tommy Flanagan
- Tenor Saxophone – Coleman Hawkins
Notes
Made in the U.S.A.
Barcode and Other Identifiers
- Barcode: 7 53088 00292 2
Other Versions (5 of 37)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Bluesey Burrell (LP, Album, Stereo) | Moodsville | MV 29, MVST 29 | US | 1963 | ||
|
New Submission
|
Bluesey Burrell (LP, Album, Mono, Deep Groove) | Moodsville | MV 29, MVLP 29 | US | 1963 | ||
|
New Submission
|
Bluesey Burrell (LP, Album, Mono) | Moodsville | MV 29, MVLP 29 | US | 1963 | ||
|
New Submission
|
Bluesey Burrell (LP, Album, Repress, Mono) | Moodsville | MV 29, MVLP 29 | US | 1963 | ||
| Out Of This World (LP, Album, Stereo, Reissue) | Prestige | PR 7578, PRST 7578 | US | 1968 |
Recommendations
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2012 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered -
2012 USSACD —Hybrid, Mono, Album, Limited Edition, Numbered, Reissue, Remastered -
2012 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered -
2018 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered -
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2015 USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered
Reviews
-
This review is for the stereo layer only.
This sounds very good to me. The instruments seem right in front/left/right of you. There is no tape hiss at all. It feels like a private event with me as the guest of honor. It is extraordinarily intimate feeling.
Every instrument comes through clearly and loudly. Right now, for example, Kenny is in the left channel having a co-solo with the sax in the right speaker.
Everything is so clear. The drums have complete cymbal decay, although the brush strokes could use more detail, because they sound like a single haze.
Overall, this is very good.
Release
See all versions
New Submission
New Submission
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