Wilco – A.M.
Tracklist
| A1 | I Must Be High | |
| A2 | Casino Queen | |
| A3 | Box Full Of Letters | |
| A4 | Shouldn't Be Ashamed | |
| A5 | Pick Up The Change | |
| A6 | I Thought I Held You | |
| A7 | That's Not The Issue | |
| B1 | It's Just That Simple | |
| B2 | Should've Been In Love | |
| B3 | enger Side | |
| B4 | Dash 7 | |
| B5 | Blue Eyed Soul | |
| B6 | Too Far Apart | |
| CD-1 | I Must Be High | |
| CD-2 | Casino Queen | |
| CD-3 | Box Full Of Letters | |
| CD-4 | Shouldn't Be Ashamed | |
| CD-5 | Pick Up The Change | |
| CD-6 | I Thought I Held You | |
| CD-7 | That's Not The Issue | |
| CD-8 | It's Just That Simple | |
| CD-9 | Should've Been In Love | |
| CD-10 | enger Side | |
| CD-11 | Dash 7 | |
| CD-12 | Blue Eyed Soul | |
| CD-13 | Too Far Apart |
Companies, etc.
- Record Company – Nonesuch Records
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Nonesuch Records
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Nonesuch Records
- Copyright © – WEA International Inc.
- Pressed By – Schallplattenfabrik Pallas GmbH – 18729
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Words Ampersand Music
- Published By – Poeyfarre Songs
- Recorded At – Easley Recording
- Mastered At – Gateway Mastering & DVD
- Mixed At – Masterfonics
- Mixed At – Emerald Sound Studios
- Mixed At – Battery Studios, Nashville
Credits
- Booking – Paul Boswell
- Design [Graphic Design] – Lawrence Azerrad
- Legal – Josh Grier (2)
- Liner Notes – Brian Henneman
- Management – Tony Margherita
- Management [With] – Emily Rosenblum
- Mixed By – Richard Dodd
- Other [Financial] – Pater Fairley
- Other [Online] – Ken Waagner
- Photography By [Band Photographs] – Dan Corrigan*
- Photography By [Radio Photographs] – Lara Kastner
- Producer, Recorded By – Wilco
- Public Relations [Publicity] – Deb Bernardini
- Remastered By – Robert C Ludwig*
- Written-By – Jeff Tweedy (tracks: A1 to A7, B2 to B6)
Notes
"180-gram High-Performance Vinyl. Includes CD of the complete album."
Gatefold, tip-on sleeve + a printed lyrics/credits insert.
Nonesuch Records, a Warner Music Group Company [...]
℗ & © 2009 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.
All songs written by Jeff Tweedy (Warner-Tamerlane Pub. Corp./Words Ampersand Music, BMI) except "It's Just That Simple" by John Storratt (Poeyfarre Songs, BMI).
Recorded at Easley Recording, Memphis, TN
Remastered [...] at Gateway Mastering & DVD, Portland, ME
Mixed by Richard Dodd at Masterphonics and Emerald Studios, Nashville, TN
* [It's Just That Simple, Dash 7, Too Far Apart] Mixed by Brian Paulson at Battery Studios, Nashville
Management: Tony Margherita with Benjamin Levin, Brandy Breaux-Simkins and Emily Rosenblum for TMM, New York / Chicago
Legal: Josh Grier for Sloss Law Group, New York
Financial: Peter Fairley for JH Cohn, New York
Booking (Americas/Pacific): Frank Riley for High Road Touring, Sausalito
Booking (Europe): Paul Boswell for Free Trade Agency, London
Publicity: Deb Bernardini for DBMPR, New York
Online: Ken Waagner for Smartley-Dunn Solutions, Chicago
Gatefold, tip-on sleeve + a printed lyrics/credits insert.
Nonesuch Records, a Warner Music Group Company [...]
℗ & © 2009 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.
All songs written by Jeff Tweedy (Warner-Tamerlane Pub. Corp./Words Ampersand Music, BMI) except "It's Just That Simple" by John Storratt (Poeyfarre Songs, BMI).
Recorded at Easley Recording, Memphis, TN
Remastered [...] at Gateway Mastering & DVD, Portland, ME
Mixed by Richard Dodd at Masterphonics and Emerald Studios, Nashville, TN
* [It's Just That Simple, Dash 7, Too Far Apart] Mixed by Brian Paulson at Battery Studios, Nashville
Management: Tony Margherita with Benjamin Levin, Brandy Breaux-Simkins and Emily Rosenblum for TMM, New York / Chicago
Legal: Josh Grier for Sloss Law Group, New York
Financial: Peter Fairley for JH Cohn, New York
Booking (Americas/Pacific): Frank Riley for High Road Touring, Sausalito
Booking (Europe): Paul Boswell for Free Trade Agency, London
Publicity: Deb Bernardini for DBMPR, New York
Online: Ken Waagner for Smartley-Dunn Solutions, Chicago
Barcode and Other Identifiers
- Barcode (Scanned): 075597982954
- Barcode (Printed): 0 75597 98295 4
- Matrix / Runout (A Side Runout Etched, -18729- Stamped): 1-518084-A -18729-
- Matrix / Runout (B Side Runout Etched, -18729- Stamped): 1-518084-B -18729-
- Pressing Plant ID (Both Sides Runout Stamped): -18729-
- Matrix / Runout (CD Matrix): Z114711 1 45857-2 RE-1 03 M0S1
- Mastering SID Code: ifpi L909
- Mould SID Code: IFPI 2U8K
- Rights Society: BMI
- Other (On CD face and sleeve): STCD 400078
Other Versions (5 of 39)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
A.M. (CD, Album) | Reprise Records | 9 45857-2 | US | 1995 | ||
|
Recently Edited
|
A.M. (LP, Album, Stereo, Specialty Pressing, Red Translucent) | Reprise Records | 1-45857 | US | 1995 | ||
|
Recently Edited
|
A.M. (CD, Album) | Reprise Records | CDW 45857 | Canada | 1995 | ||
|
New Submission
|
A.M. (CD, Album, Club Edition) | Sire | 9 45857-2 | US | 1995 | ||
|
New Submission
|
A.M. (CD, Advance, Album, Promo) | Reprise Records | 2-45857-A | US | 1995 |
Recommendations
Reviews
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Edited 4 months agoWhy does this album get crapped on by so many including critics? Is it the specter of Son Volt’s trace or is it what came after for the band? Who knows! But what I do know is this album is chock full of excellent songs with tons of energy & replay value. I don’t hear any filler here at all and certainly don’t find this to be middle of the road. It’s catchy with songs that fare well when taking road trips. Is it as good as being there? Not really, however it’s an excellent album on its own while being there is a classic. A B to being there’s A- It’s hard to measure up to a classic and really not necessary. AM on its own stripped of all of the circumstances surrounding it, is a brilliant album with toms of hooks and memorable songs. Think Tom Petty, the Stones, Teenage Fanclub as a few references. Pretty good company don’t ya think?
Release
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Recently Edited
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