Nine Inch Nails – Hesitation Marks
Tracklist
| A1 | The Eater Of Dreams | 0:53 | |
| A2 | Copy Of A | 5:23 | |
| A3 | Came Back Haunted | 5:17 | |
| A4 | Find My Way | 5:16 | |
| B1 | All Time Low | 6:18 | |
| B2 | Disappointed | 5:44 | |
| B3 | Everything | 3:20 | |
| C1 | Satellite | 5:03 | |
| C2 | Various Methods Of Escape | 5:01 | |
| C3 | Running | 4:08 | |
| D1 | I Would For You | 4:33 | |
| D2 | In Two | 5:32 | |
| D3 | While I'm Still Here | 4:03 | |
| D4 | Black Noise | 1:28 | |
| CD-1 | The Eater Of Dreams | 0:53 | |
| CD-2 | Copy Of A | 5:23 | |
| CD-3 | Came Back Haunted | 5:17 | |
| CD-4 | Find My Way | 5:16 | |
| CD-5 | All Time Low | 6:18 | |
| CD-6 | Disappointed | 5:44 | |
| CD-7 | Everything | 3:20 | |
| CD-8 | Satellite | 5:03 | |
| CD-9 | Various Methods Of Escape | 5:01 | |
| CD-10 | Running | 4:08 | |
| CD-11 | I Would For You | 4:33 | |
| CD-12 | In Two | 5:32 | |
| CD-13 | While I'm Still Here | 4:03 | |
| CD-14 | Black Noise | 1:28 |
Companies, etc.
- Phonographic Copyright ℗ – The Null Corporation
- Copyright © – The Null Corporation
- Licensed To – Polydor Ltd. (UK)
- Record Company – Universal Music
- Mastered At – Precision Mastering
- Manufactured By – www.gzvinyl.com
- Pressed By – GZ Digital Media – 111420E
- Glass Mastered At – GZ Digital Media – Z80912
- Pressed By – GZ Digital Media
- Published By – Form And Texture
- Published By – Modwheelmusic, Inc.
- Recorded At – The Village Studios
- Recorded At – Joe's House Of Compression
Credits
- Arranged By – Trent Reznor
- Art Direction – Rob Sheridan (2)
- Artwork – Russell Mills
- Booking – WME
- Booking [At WME] – Marc Geiger
- Engineer [Additional Recording Engineered By] – Jun Murakawa
- Engineer [Drum Recording] – Jun Murakawa
- Engineer [Engineered By] – Jun Murakawa
- Lacquer Cut By – JD*
- Management – Rebel Waltz
- Management [Business Management At Gelfand, Rennert And Feldman, LLP] – William "Bill" Harper*
- Management [Legal At Ziffren Brittenham, LLP] – Gary Stiffelman
- Management [Publicity, The Fun Star] – Ambrosia Healy
- Management [Studio Manager], Coordinator [Project Coordination], Other [Guy That Makes Everything Work] – Dustin Mosley
- Mastered By – Tom Baker (3)
- Mixed By – Alan Moulder
- Photography By [Digital Assitance By] – Michael Webster (3)
- Photography By [Photographed By] – Rob Sheridan (2)
- Producer [Produced By] – Trent Reznor
- Programmed By – Trent Reznor
- Recorded By [Drum Recording] – Joe Barresi
- Technician [Drum Technician] – Mike Fasano
- Written-By – Trent Reznor
Notes
All songs published by form and texture [ascap] except:
The Eater of Dreams published by form and texture [ascap] / modwheelmusic, inc. [ascap].
While I'm Still Here contains portions of "Weary Blues from Waiting" [Hank Williams Sr.] published by Sony/ATV Acuff Rose Music [BMI]
Additional Recording at the Village Studios, West LA.
Drum Recording at Jhoc, Pasadena.
Thank you: Abelton, Antiquity Music, Stephen Bannister and Joe Taupier from Westlake Pro, Gerry Barad, Karen Ciccone,
Alessandro Cortini, Adrian and Martha Belew, Michele Bernstein, Big City Music, Elena Dickstein and Preferred Travel,
Lon Cohen Studio Rentals, Tom Consolo, Markus Dravs, Erik Eger, Joshua Eustis, Robin Fink, Nicki Goldstein
and Midway Car Rental, Jeff Greenberg and Tina Morris at the Village, Toni Halliday, Izotope, Claudia Lagan,
Christina Lum, Mariqueen, Frank Mcdonough, Ian Montone, Joe Munns, Steve Nighingale, Samantha Sissons,
Rob Flemming, Olivia Hobbs, Hannah Neaves, Susie Ember and the rest of the Universal Music team, Native Instruments,
Amos Newman, Ruiaei O'Flaherty and PMC Ultimate Speakers, David ick, Maurice Patist, Michael Patterson,
Mark Picken, Tony Pinnick and Design FX Audio, Glen Pratley and SSL, Pete Prokopiw, Sandy Roberton, Ross Rosen,
Aaron Rubin, Ilan Rubin, Joe Ryan and Rock-It Cargo, Claudia Sarne, Angela Sidlow, Dave Sitek, Dave Smith,
and everyone at Dave Smith Instruments, Soundtoys, Seph Sowers, Rob Stringer, Ashley Newton, Mark Williams, Joel Klaiman,
Scott Greer, Erika Alfredson, Bryan Younce and the rest of the Columbia team, Marc Vangool, Irina Volodarsky,
Barbara West, Iwoa Wong and Selene Yen.
nin.com
Gatefold sleeve containing two 180g vinyl, a CD of full album and a 12" x 12" art card.
Vinyl cat #: 3744922
CD cat #: 3751784
No durations on release.
The Eater of Dreams published by form and texture [ascap] / modwheelmusic, inc. [ascap].
While I'm Still Here contains portions of "Weary Blues from Waiting" [Hank Williams Sr.] published by Sony/ATV Acuff Rose Music [BMI]
Additional Recording at the Village Studios, West LA.
Drum Recording at Jhoc, Pasadena.
Thank you: Abelton, Antiquity Music, Stephen Bannister and Joe Taupier from Westlake Pro, Gerry Barad, Karen Ciccone,
Alessandro Cortini, Adrian and Martha Belew, Michele Bernstein, Big City Music, Elena Dickstein and Preferred Travel,
Lon Cohen Studio Rentals, Tom Consolo, Markus Dravs, Erik Eger, Joshua Eustis, Robin Fink, Nicki Goldstein
and Midway Car Rental, Jeff Greenberg and Tina Morris at the Village, Toni Halliday, Izotope, Claudia Lagan,
Christina Lum, Mariqueen, Frank Mcdonough, Ian Montone, Joe Munns, Steve Nighingale, Samantha Sissons,
Rob Flemming, Olivia Hobbs, Hannah Neaves, Susie Ember and the rest of the Universal Music team, Native Instruments,
Amos Newman, Ruiaei O'Flaherty and PMC Ultimate Speakers, David ick, Maurice Patist, Michael Patterson,
Mark Picken, Tony Pinnick and Design FX Audio, Glen Pratley and SSL, Pete Prokopiw, Sandy Roberton, Ross Rosen,
Aaron Rubin, Ilan Rubin, Joe Ryan and Rock-It Cargo, Claudia Sarne, Angela Sidlow, Dave Sitek, Dave Smith,
and everyone at Dave Smith Instruments, Soundtoys, Seph Sowers, Rob Stringer, Ashley Newton, Mark Williams, Joel Klaiman,
Scott Greer, Erika Alfredson, Bryan Younce and the rest of the Columbia team, Marc Vangool, Irina Volodarsky,
Barbara West, Iwoa Wong and Selene Yen.
nin.com
Gatefold sleeve containing two 180g vinyl, a CD of full album and a 12" x 12" art card.
Vinyl cat #: 3744922
CD cat #: 3751784
No durations on release.
Barcode and Other Identifiers
- Barcode (Text): 6 02537 44922 4
- Barcode (Scanned): 602537449224
- Rights Society: BIEM / SDRM
- Rights Society: ASCAP
- Rights Society: BMI
- Label Code: LC00309
- Matrix / Runout (Runout, side A, stamped, "A1 JD" etched): A1 JD www.gzvinyl.com - 3744922-A 111420E1/A
- Matrix / Runout (Runout, side B, stamped, "B1" etched): B1 3744922-B 111420E2/A
- Matrix / Runout (Runout, side C, stamped, "A*" etched): www.gzvinyl.com - 3744922-C 111420E3/ A*
- Matrix / Runout (Runout, side D, stamped): 3744922-D 111420E4/A
- Matrix / Runout (CD): Z80912 3744922/CD
- Mastering SID Code: IFPI LD02
- Mould SID Code (Variant 1): IFPI 5J44
- Mould SID Code (Variant 2): IFPI 5J03
Other Versions (5 of 50)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Hesitation Marks (2×CD, Album, Deluxe Edition, Hardcover Book) | Polydor | 3743876 | Europe | 2013 | |||
| Hesitation Marks (CD, Album, Digipak) | Polydor | 3743875 | Europe | 2013 | |||
| Hesitation Marks (CD, Album, Digipak) | Columbia | 88883744952 | US | 2013 | |||
|
Recently Edited
|
Hesitation Marks (2×LP, Album, Stereo, 180 Gram, CD, Album, Stereo) | Columbia | halo 28v | US | 2013 | ||
|
Recently Edited
|
Hesitation Marks (2×CD, Album, Deluxe Edition, Stereo, Hardcover Book) | Columbia | 88883 74496 2 | US | 2013 |
Recommendations
Reviews
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Great pressing, sounds clean, dynamic, super bass. However, the records were incredibly dirty, they had to be washed first. -
Just "unboxed" a sealed (2013) copy, to play. It's a great album, for sure - but least on mine there is a nasty pop on disc 1, straight out of the sleeve. Disc 2 seems better. Very unfortunate, considering the high-ish price. -
Edited 3 years agoMy LP sounds really great. Clear, wide sound. No distortion or anything like that. This pressing does more than justice to this very electronic NIN LP!
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First off, this is an almighty album - that is not in question.
However, I took my first copy of the vinyl back as there was lots of static distortion on disc 1 and some on disc 2. The guy in the shop joked that it was the music (cheeky sod) but my second copy had exactly the same issues at exactly the same points in the songs.
'All Time Low' has the worst of the lot during the instrumental end section.
Like a true NiN maniac I also had the CD release and knew it was a pressing issue. I couldn't be bothered taking my second copy back so I'm now stuck with an unlistenable version of a great album, which is very sad.
My reason for this review isn't to moan or whine, but I haven't come across anyone else having this issue, so perhaps this will help narrow down what the issue is/was.
As an aside, when the static spikes disappear the clarity of the recording is spectacular so I understand the 5 star reviews this LP is getting.
TS
Release
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Data Correct
Data Correct
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56 copies from €35.00