The Jackson 5ABC

Label:

Tamla Motown – TMG 738

Format:

Vinyl , 7", 45 RPM, Single , Solid Centre

Country:

UK

Released:

Genre:

Funk / Soul

Style:

Soul

Tracklist

A ABC
Producer, Arranged By, Written-ByThe Corporation (2)
B The Young Folks
Arranged ByD. Blumberg*
ProducerHal Davis
Written-ByH. Gordy*

Companies, etc.

  • Record CompanyE.M.I. Records Limited
  • Published ByJobete-Carlin Music Ltd.
  • Pressed ByThe Gramophone Co. Ltd.

Notes

Made in Gt. Britain

Barcode and Other Identifiers

  • Matrix / Runout (Runout Side A - Stamped - Variant 1): TMG 738 A-1 CT KT
  • Matrix / Runout (Runout Side A - Stamped - Variant 2): TMG 738 A-1 GH KT
  • Matrix / Runout (Runout Side B - Stamped - Variant 1): TMG 738 B-1 G0 KT
  • Matrix / Runout (Runout Side B - Stamped - Variant 2): TMG 738 B-1 GL KT
  • Matrix / Runout (Side A - Label): TMG 738 A
  • Matrix / Runout (Side B - Label): TMG 738 B
  • Rights Society: NCB

Other Versions (5 of 54)

View All
Title (Format) Label Cat# Country Year
New Submission
ABC / The Young Folks (7", 45 RPM, Single, Promo) Motown M-1163 US 1969
New Submission
ABC / The Young Folks (7", 45 RPM, Single, Promo) Motown M-1163 Philippines 1969
ABC / The Young Folks (7", Single, 45 RPM) Tamla Motown 5C 006-91257 Netherlands 1970
Recently Edited
ABC (7", Single, 45 RPM) Tamla Motown 1 C 006-91 257 M 1970
Recently Edited
ABC (7", Single, 45 RPM) Tamla Motown 2C 006-91 257 1970

Recommendations

  • I Want You Back
    1970 UK
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  • Love Machine (Part 1)
    1975 UK
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  • I'll Be There
    1970 UK
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    7", 45 RPM, Single
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  • Hit Me With Your Rhythm Stick
    1978 UK
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  • Got To Give It Up
    1977 UK
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  • What Becomes Of The Broken Hearted
    1974 UK
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  • War
    1970 UK
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  • Baby Love
    1964 UK
    Vinyl —
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  • Sir Duke
    1977 UK
    Vinyl —
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Reviews

  • Groovemaster-DJ's avatar
    Who was running the UK Motown office at EMI at the time?
    Phil Spector?, Mickey Most?, Shel Tammey? Brian "one ear" Wilson, Johnny "one ear" Ray ? Who?
    (the facts of the matter are that Spector, Most, Tammey, and Wilson did not have the skill or know-how to mix for stereo, use a wide 180 degree soundstage, place vocals and instruments in the frame or have the tools to mix down and bounce tracks in stereo. So they kept everything 100% mono, a skill too to put everything in 1 ch, and adjust each EQ to fit and not counter out or overtake the previous mono track.

    If we have had constant mono of a track since day one, and there comes an opportunity to actually put the track out in a natural and superior stereo sound, then what's the issue, what's the prob?, you are giving the public something new, something different rather than the same old same old.. Mono a blast from the producer ignorant past !
    • Groovemaster-DJ's avatar
      Absolutely 100% avoid this needless and pointless MONO UK undinked-sold centre pressing!

      Look no further than EMI-Bovema Netherlands Tamla-Motown 5C 006-91257
      1. Picture sleeve
      2. Stereo ABC like I want You Back was made for stereo was mixed for stereo explodes on your ears in stereo.
      3. Has a dinked 4p optional centre

      Enough said melt the above it's pointless.

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